World is a common name for the whole of human civilization, specifically human experience, history, or the human condition in general, ''worldwide'', i.e. anywhere on Earth.

In a philosophical context it may refer to: (1) the whole of the physical Universe, or (2) an ontological world (''see world disclosure''). In a theological context, ''world'' usually refers to the material or the profane sphere, as opposed to the celestial, spiritual, transcendent or sacred. The "end of the world" refers to scenarios of the final end of human history, often in religious contexts.

World history is commonly understood as spanning the major geopolitical developments of about five millennia, from the first civilizations to the present.

World population is the sum of all human populations at any time; similarly, world economy is the sum of the economies of all societies (all countries), especially in the context of globalization. Terms like world championship, gross world product, world flags etc. also imply the sum or combination of all current-day sovereign states.

In terms such as world religion, world language, and world war, ''world'' suggests international or intercontinental scope without necessarily implying participation of the entire world.

In terms such as world map and world climate, ''world'' is used in the sense detached from human culture or civilization, referring to the planet Earth physically.

Etymology and Usage

The English word ''world'' comes from the Old English ''weorold (-uld), weorld, worold (-uld, -eld)'', a compound of ''wer'' "man" and ''eld'' "age," which thus means roughly "Age of Man." The Old English is a reflex of the Common Germanic ''*wira-alđiz'', also reflected in Old Saxon ''werold'', Old High German ''weralt'', Old Frisian ''warld'' and Old Norse ''verǫld'' (whence the Icelandic ''veröld'').

The corresponding word in Latin ''mundus'', literally "clean, elegant", itself a loan translation of Greek ''cosmos'' "orderly arrangement." While the Germanic word thus reflects a mythological notion of a "domain of Man" (compare Midgard), presumably as opposed to the divine sphere on the one hand and the chthonic sphere of the underworld on the other, the Greco-Latin term expresses a notion of creation as an act of establishing order out of chaos.

'World' distinguishes the entire planet or population from any particular country or region: ''world affairs'' pertain not just to one place but to the whole world, and ''world history'' is a field of history that examines events from a global (rather than a national or a regional) perspective. ''Earth'', on the other hand, refers to the planet as a physical entity, and distinguishes it from other planets and physical objects.

'''World''' can also be used attributively, to mean 'global', 'relating to the whole world', forming usages such as world community or world canonical texts.

By extension, a '''world''' may refer to any planet or heavenly body, especially when it is thought of as inhabited, especially in the context of science fiction or futurology.

'''World''', in original sense, when qualified, can also refer to a particular domain of human experience.

The ''world of work'' describes paid work and the pursuit of career, in all its social aspects, to distinguish it from home life and academic study.

The ''fashion world'' describes the environment of the designers, fashion houses and consumers that make up the fashion industry.

historically, the ''New World'' vs. the ''Old World'', referring to the parts of the world colonized in the wake of the age of discovery. Now mostly used in zoology and botany, as New World monkey.

Philosophy

In philosophy, the term world has several possible meanings. In some contexts, it refers to everything that makes up reality or the physical universe. In others, it can mean have a specific ontological sense (see world disclosure). While clarifying the concept of world has arguably always been among the basic tasks of Western philosophy, this theme appears to have been raised explicitly only at the start of the twentieth century and has been the subject of continuous debate. The question of what the world is has by no means been settled.

;Parmenides The traditional interpretation of Parmenides' work is that he argued that the every-day perception of reality of the physical world (as described in doxa) is mistaken, and that the reality of the world is 'One Being' (as described in aletheia): an unchanging, ungenerated, indestructible whole.

;Plato In his Allegory of the Cave, Plato distingues between forms and ideas and imagines two distinct worlds : the sensible world and the intelligible world.

;Hegel In Hegel's philosophy of history, the expression ''Weltgeschichte ist Weltgericht'' (World History is a tribunal that judges the World) is used to assert the view that History is what judges men, their actions and their opinions. Science is born from the desire to transform the World in relation to Man ; its final end is technical application.

;Schopenhauer ''The World as Will and Representation'' is the central work of Arthur Schopenhauer. Schopenhauer saw the human will as our one window to the world behind the representation; the Kantian thing-in-itself. He believed, therefore, that we could gain knowledge about the thing-in-itself, something Kant said was impossible, since the rest of the relationship between representation and thing-in-itself could be understood by analogy to the relationship between human will and human body.

;Wittgenstein Two definitions that were both put forward in the 1920s, however, suggest the range of available opinion. "The world is everything that is the case," wrote Ludwig Wittgenstein in his influential ''Tractatus Logico-Philosophicus'', first published in 1922. This definition would serve as the basis of logical positivism, with its assumption that there is exactly one world, consisting of the totality of facts, regardless of the interpretations that individual people may make of them.

;Heidegger Martin Heidegger, meanwhile, argued that "the surrounding world is different for each of us, and notwithstanding that we move about in a common world". The world, for Heidegger, was that into which we are always already "thrown" and with which we, as beings-in-the-world, must come to terms. His conception of "world disclosure" was most notably elaborated in his 1927 work ''Being and Time''.

;Freud In response, Freud proposed that we do not move about in a common world, but a common thought process. He believed that all the actions of a person is motivated by one thing: lust. This led to numerous theories about reactionary consciousness.

;Other Some philosophers, often inspired by David Lewis, argue that metaphysical concepts such as possibility, probability and necessity are best analyzed by comparing ''the'' world to a range of possible worlds; a view commonly known as modal realism.

Religion and mythology

Mythological cosmologies often depict the world as centered around an axis mundi and delimited by a boundary such as a world ocean, a world serpent or similar.

See also

Globe

List of sovereign states

Universe

References

External links

Category:Earth

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The Reign of Terror (5 September 1793, to 28 July 1794) (the latter is date 9 Thermidor, year II of the French Revolutionary calendar), also known simply as The Terror (), was a period of violence that occurred after the onset of the French Revolution, incited by conflict between rival political factions, the Girondins and the Jacobins, and marked by mass executions of "enemies of the revolution." Estimates vary widely as to how many were killed, with numbers ranging from 16,000 to 40,000; in many cases, records were not kept or, if they were, they are considered likely to be inaccurate. The guillotine (called the "National Razor") became the symbol of the revolutionary cause, strengthened by a string of executions: Louis XVI, Marie Antoinette, the Girondins, Philippe Égalité (Louis Philippe II, Duke of Orléans) and Madame Roland, as well as many others, such as pioneering chemist Antoine Lavoisier, lost their lives under its blade.

During 1794, revolutionary France was beset with both real and imagined conspiracies by internal and foreign enemies. Within France, the revolution was opposed by the French nobility, which had lost its inherited privileges. The Roman Catholic Church was generally against the Revolution, which had turned the clergy into employees of the state and required they take an oath of loyalty to the nation (through the Civil Constitution of the Clergy). In fact, many French priests were imprisoned or executed, among them Blessed Hunot and Blessed du Vivier. In addition, the First French Republic was engaged in a series of French Revolutionary Wars with neighboring powers intent on crushing the revolution to prevent its spread.

The extension of civil war and the advance of foreign armies on national territory produced a political crisis and increased the rivalry between the Girondins and the more radical Jacobins. The latter were eventually grouped in the parliamentary faction called the Mountain, and they had the support of the Parisian population. The French government established the Committee of Public Safety, which took its final form on 6 September 1793, and was ultimately dominated by Maximilien Robespierre, in order to suppress internal counter-revolutionary activities and raise additional French military forces. Through the Revolutionary Tribunal, the Terror's leaders exercised broad dictatorial powers and used them to instigate mass executions and political purges. The repression accelerated in June and July 1794, a period called "''la Grande Terreur''" (the Great Terror), and ended in the coup of 9 Thermidor Year II (27 July 1794), the so-called "Thermidorian Reaction", in which several leaders of the Reign of Terror were executed, including Saint-Just and Robespierre.

The Terror

On 2 June 1793, Paris sections – encouraged by the ''enragés'' Jacques Roux and Jacques Hébert – took over the Convention, calling for administrative and political purges, a low fixed price for bread, and a limitation of the electoral franchise to ''sans-culottes'' alone. With the backing of the National Guard, they persuaded the Convention to arrest 31 Girondist leaders, including Jacques Pierre Brissot. Following these arrests, the Jacobins gained control of the Committee of Public Safety on 10 June, installing the ''revolutionary dictatorship''. On 13 July the assassination of Jean-Paul Marat – a Jacobin leader and journalist known for his bloodthirsty rhetoric – by Charlotte Corday, a Girondist, resulted in a further increase in Jacobin political influence. Georges Danton, the leader of the August 1792 uprising against the King, was removed from the Committee. On 27 July Maximilien Robespierre, known in Republican circles as "the Incorruptible" for his ascetic dedication to his ideals, made his entrance, quickly becoming the most influential member of the Committee as it moved to take radical measures against the Revolution's domestic and foreign enemies.

Meanwhile, on 24 June the Convention adopted the first republican constitution of France, the French Constitution of 1793. It was ratified by public referendum, but never put into force; like other laws, it was indefinitely suspended by the decree of October that the government of France would be "revolutionary until the peace".

On 25 December 1793 Robespierre stated:

The goal of the constitutional government is to conserve the Republic; the aim of the revolutionary government is to found it... The revolutionary government owes to the good citizen all the protection of the nation; it owes nothing to the Enemies of the People but death... These notions would be enough to explain the origin and the nature of laws that we call revolutionary ... If the revolutionary government must be more active in its march and more free in his movements than an ordinary government, is it for that less fair and legitimate? No; it is supported by the most holy of all laws: the Salvation of the People.

On 5 February 1794 Robespierre stated, more succinctly that "Terror is nothing else than swift, severe, indomitable justice; it flows, then, from virtue."

The result was policy through which the state used violent repression to crush resistance to the government. Under control of the effectively dictatorial Committee, the Convention quickly enacted more legislation. On 9 September the Convention established ''sans-culottes'' paramilitary forces, the ''revolutionary armies'', to force farmers to surrender grain demanded by the government. On 17 September the ''Law of Suspects'' was passed, which authorized the charging of counter-revolutionaries with vaguely defined ''crimes against liberty''. On 29 September the Convention extended price-fixing from grain and bread to other essential goods, and also fixed wages. The guillotine became the symbol of a string of executions: Louis XVI had already been guillotined before the start of the terror; Marie-Antoinette, the Girondists, Philippe Égalité, Madame Roland and many others lost their lives under its blade. The Revolutionary Tribunal summarily condemned thousands of people to death by the guillotine, while mobs beat other victims to death. Sometimes people died for their political opinions or actions, but many for little reason beyond mere suspicion, or because some others had a stake in getting rid of them.

Among people who were condemned by the revolutionary tribunals, about 8 percent were aristocrats, 6 percent clergy, 14 percent middle class, and 72 percent were workers or peasants accused of hoarding, evading the draft, desertion, rebellion, and other purported minimal crimes.

Another anti-clerical uprising was made possible by the installment of the Revolutionary Calendar on 24 October. Hébert's and Chaumette's atheist movement initiated a religious campaign in order to dechristianise society. The program of dechristianisation waged against Catholicism, and eventually against all forms of Christianity, included the deportation or execution of clergy; the closing of churches; the rise of cults and the institution of a civic religion; the large scale destruction of religious monuments; the outlawing of public and private worship and religious education; the forced abjurement of priests of their vows and forced marriages of the clergy; the word "saint" being removed from street names; and the War in the Vendée. The enactment of a law on 21 October 1793 made all suspected priests and all persons who harbored them liable to death on sight. The climax was reached with the celebration of the goddess "Reason" in Notre Dame Cathedral on 10 November. Because dissent was now regarded as counterrevolutionary, extremist ''enragés'' such as Hébert and moderate Montagnard ''indulgents'' such as Danton were guillotined in the Spring of 1794. On 7 June Robespierre, who favoured deism over Hébert's atheism and had previously condemned the ''Cult of Reason'', recommended that the Convention acknowledge the existence of God. On the next day, the worship of the deistic ''Supreme Being'' was inaugurated as an official aspect of the Revolution. Compared with Hébert's somewhat popular festivals, this austere new religion of Virtue was received with signs of hostility by the Parisian public.

The End of the Reign

right|thumb|250px|The execution of Robespierre.The repression brought thousands of suspects before the Paris Revolutionary Tribunal, whose work was expedited by the Law of 22 Prairial (10 June 1794). As a result of Robespierre's insistence on associating Terror with Virtue, his efforts to make the republic a morally united patriotic community became equated with the endless bloodshed. Finally, after 26 June's decisive military victory over Austria at the Battle of Fleurus, Robespierre was overthrown by a conspiracy of certain members of the Convention on 9 Thermidor (27 July).

The fall of Robespierre was brought about by a combination of those who wanted more power for the Committee of Public Safety, and a more radical policy than he was willing to allow, with the moderates who opposed the Revolutionary Government altogether. They had, between them, made the Law of 22 Prairial one of the charges against him, and after his fall, advocating Terror would mean adopting the policy of a convicted enemy of the Republic, endangering the advocate's own head. Before his execution, Robespierre tried unsuccessfully to commit suicide by shooting himself, but the bullet merely shattered his jaw, and Robespierre was guillotined the next day.

The reign of the standing Committee of Public Safety was ended. New members were appointed the day after Robespierre's execution, and term limits were imposed (a quarter of the committee retired every three months); its powers were reduced piece by piece.

This was not an entirely or immediately conservative period; no government of the Republic envisaged a Restoration, and Marat was reburied in the Pantheon in September.

See also

Bals des victimes

Great Fear

Tricoteuse

Use of the Guillotine in Paris

References

Further reading

Primary sources

Secondary sources

* Reviewed by Adam Thorpe in ''The Guardian'', 23 December 2006.

External links

The Terror from In Our Time (BBC Radio 4)

Reign of Terror from Khanacademy

Category:1793 in France Category:1794 in France Category:Anti-Catholicism in France Category:1793 events of the French Revolution Category:1794 events of the French Revolution Category:Religious persecution Category:Political and cultural purges Category:Terrorism Category:People killed in the French Revolution Category:Revolution terminology

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Coordinates

29°25′″N98°30′″N

{{infobox historical event |event name

The French Revolution |Image_Name Prise de la Bastille.jpg |Image_Caption The storming of the Bastille, 14 July 1789 |Participants French society |Location France |Date 1789–1799 |Result Abolition and replacement of the French monarchy with a radical democratic republic. Radical social change to forms based on Enlightenment principles of citizenship and inalienable rights. Rise of Napoleon Bonaparte Armed conflicts with other European countries }}

The French Revolution (; 1789–1799) was a period of radical social and political upheaval in French and European history. The absolute monarchy that had ruled France for centuries collapsed in three years. French society underwent an epic transformation as feudal, aristocratic and religious privileges evaporated under a sustained assault from left-wing political groups and the masses on the streets. Old ideas about hierarchy and tradition succumbed to new Enlightenment principles of citizenship and inalienable rights.

The French Revolution began in 1789 with the convocation of the Estates-General in May. The first year of the Revolution saw members of the Third Estate proclaiming the Tennis Court Oath in June, the assault on the Bastille in July, the passage of the Declaration of the Rights of Man and of the Citizen in August, and an epic march on Versailles that forced the royal court back to Paris in October. The next few years were dominated by tensions between various liberal assemblies and a right-wing monarchy intent on thwarting major reforms. A republic was proclaimed in September 1792 and King Louis XVI was executed the next year. External threats also played a dominant role in the development of the Revolution. The French Revolutionary Wars started in 1792 and ultimately featured spectacular French victories that facilitated the conquest of the Italian peninsula, the Low Countries and most territories west of the Rhine – achievements that had defied previous French governments for centuries. Internally, popular sentiments radicalized the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins and virtual dictatorship by the Committee of Public Safety during the Reign of Terror from 1793 until 1794 during which between 16,000 and 40,000 people were killed. After the fall of the Jacobins and the execution of Robespierre, the Directory assumed control of the French state in 1795 and held power until 1799, when it was replaced by the Consulate under Napoleon Bonaparte.

The modern era has unfolded in the shadow of the French Revolution. The growth of republics and liberal democracies, the spread of secularism, the development of modern ideologies and the invention of total war all mark their birth during the Revolution. Subsequent events that can be traced to the Revolution include the Napoleonic Wars, two separate restorations of the monarchy and two additional revolutions as modern France took shape. In the following century, France would be governed at one point or another as a republic, constitutional monarchy and two different empires (the First and Second).

Causes

Adherents of most historical models identify many of the same features of the ''Ancien Régime'' as being among the causes of the Revolution. Economic factors included hunger and malnutrition in the most destitute segments of the population, due to rising bread prices (from a normal 8 sous for a four-pound loaf to 12 sous by the end of 1789), after several years of poor grain harvests. Bad harvests (caused in part by extreme weather from El Niño along with volcanic activity at Laki and Grímsvötn), rising food prices, and an inadequate transportation system that hindered the shipment of bulk foods from rural areas to large population centers contributed greatly to the destabilization of French society in the years leading up to the Revolution.

Another cause was the state's effective bankruptcy due to the enormous cost of previous wars, particularly the financial strain caused by French participation in the American Revolutionary War. The national debt amounted to some 1,000–2,000 million livres. The social burdens caused by war included the huge war debt, made worse by the loss of France's colonial possessions in North America and the growing commercial dominance of Great Britain. France's inefficient and antiquated financial system was unable to manage the national debt, something which was both partially caused and exacerbated by the burden of an inadequate system of taxation. To obtain new money to head off default on the government's loans, the king called an Assembly of Notables in 1787.

Meanwhile, the royal court at Versailles was seen as being isolated from, and indifferent to, the hardships of the lower classes. While in theory King Louis XVI was an absolute monarch, in practice he was often indecisive and known to back down when faced with strong opposition. While he did reduce government expenditures, opponents in the parlements successfully thwarted his attempts at enacting much needed reforms. Those who were opposed to Louis' policies further undermined royal authority by distributing pamphlets (often reporting false or exaggerated information) that criticized the government and its officials, stirring up public opinion against the monarchy.

Many other factors involved resentments and aspirations given focus by the rise of Enlightenment ideals. These included resentment of royal absolutism; resentment by peasants, laborers and the bourgeoisie toward the traditional seigneurial privileges possessed by the nobility; resentment of the Church's influence over public policy and institutions; aspirations for freedom of religion; resentment of aristocratic bishops by the poorer rural clergy; aspirations for social, political and economic equality, and (especially as the Revolution progressed) republicanism; hatred of Queen Marie-Antoinette, who was falsely accused of being a spendthrift and an Austrian spy; and anger toward the King for firing finance minister Jacques Necker, among others, who were popularly seen as representatives of the people.

Pre-revolution

Financial crisis

Louis XVI ascended to the throne amidst a financial crisis; the state was nearing bankruptcy and outlays outpaced income. This was because of France’s financial obligations stemming from involvement in the Seven Years War and its participation in the American Revolutionary War. In May 1776, finance minister Turgot was dismissed, after he failed to enact reforms. The next year, Jacques Necker, a foreigner, was appointed Comptroller-General of Finance. He could not be made an official minister because he was a Protestant. Necker realized that the country's extremely regressive tax system subjected the lower classes to a heavy burden, while numerous exemptions existed for the nobility and clergy. He argued that the country could not be taxed higher; that tax exemptions for the nobility and clergy must be reduced; and proposed that borrowing more money would solve the country's fiscal shortages. Necker published a report to support this claim that underestimated the deficit by roughly 36 million livres, and proposed restricting the power of the ''parlements''. This was not received well by the King's ministers and Necker, hoping to bolster his position, argued to be made a minister. The King refused, Necker was fired, and Charles Alexandre de Calonne was appointed to the Comptrollership. Calonne initially spent liberally, but he quickly realized the critical financial situation and proposed a new tax code. The proposal included a consistent land tax, which would include taxation of the nobility and clergy. Faced with opposition from the parlements, Calonne organised the summoning of the Assembly of Notables. But the Assembly failed to endorse Calonne's proposals and instead weakened his position through its criticism. In response, the King announced the calling of the Estates-General for May 1789, the first time the body had been summoned since 1614. This was a signal that the Bourbon monarchy was in a weakened state and subject to the demands of its people.

Estates-General of 1789

The Estates-General was organized into three estates: the clergy, the nobility, and the rest of France. On the last occasion that the Estates-General had met, in 1614, each estate held one vote, and any two could override the third. The ''Parlement'' of Paris feared the government would attempt to gerrymander an assembly to rig the results. Thus, they required that the Estates be arranged as in 1614. The 1614 rules differed from practices of local assemblies, where each member had one vote and third estate membership was doubled. For example, in the Dauphiné the provincial assembly agreed to double the number of members of the third estate, hold membership elections, and allow one vote per member, rather than one vote per estate. The "Committee of Thirty," a body of liberal Parisians, began to agitate against voting by estate. This group, largely composed of the wealthy, argued for the Estates-General to assume the voting mechanisms of Dauphiné. They argued that ancient precedent was not sufficient, because "the people were sovereign." Necker convened a Second Assembly of Notables, which rejected the notion of double representation by a vote of 111 to 333. The King, however, agreed to the proposition on 27 December; but he left discussion of the weight of each vote to the Estates-General itself.

Elections were held in the spring of 1789; suffrage requirements for the Third Estate were for French-born or naturalised males only, at least 25 years of age, who resided where the vote was to take place and who paid taxes.

''Pour être électeur du tiers état, il faut avoir 25 ans, être français ou naturalisé, être domicilié au lieu de vote et compris au rôle des impositions.''

Strong turnout produced 1,201 delegates, including: "291 nobles, 300 clergy, and 610 members of the Third Estate." To lead delegates, "Books of grievances" (''cahiers de doléances'') were compiled to list problems. The books articulated ideas which would have seemed radical only months before; however, most supported the monarchical system in general. Many assumed the Estates-General would approve future taxes, and Enlightenment ideals were relatively rare. Pamphlets by liberal nobles and clergy became widespread after the lifting of press censorship. The Abbé Sieyès, a theorist and Catholic clergyman, argued the paramount importance of the Third Estate in the pamphlet ''Qu'est-ce que le tiers état?'' ("What is the Third Estate?"), published in January 1789. He asserted: "What is the Third Estate? Everything. What has it been until now in the political order? Nothing. What does it want to be? Something." The Estates-General convened in the Grands Salles des Menus-Plaisirs in Versailles on 5 May 1789 and opened with a three-hour speech by Necker. The Third Estate demanded that the verification of deputies' credentials should be undertaken in common by all deputies, rather than each estate verifying the credentials of its own members internally; negotiations with the other estates failed to achieve this. The commoners appealed to the clergy who replied they required more time. Necker asserted that each estate verify credentials and "the king was to act as arbitrator." Negotiations with the other two estates to achieve this, however, were unsuccessful.

National Assembly (1789)

On 10 June 1789, Abbé Sieyès moved that the Third Estate, now meeting as the ''Communes'' (English: "Commons"), proceed with verification of its own powers and invite the other two estates to take part, but not to wait for them. They proceeded to do so two days later, completing the process on 17 June. Then they voted a measure far more radical, declaring themselves the National Assembly, an assembly not of the Estates but of "the People." They invited the other orders to join them, but made it clear they intended to conduct the nation's affairs with or without them.

In an attempt to keep control of the process and prevent the Assembly from convening, Louis XVI ordered the closure of the Salle des États where the Assembly met, making an excuse that the carpenters needed to prepare the hall for a royal speech in two days. Weather did not allow an outdoor meeting, so the Assembly moved their deliberations to a nearby indoor real tennis court, where they proceeded to swear the Tennis Court Oath (20 June 1789), under which they agreed not to separate until they had given France a constitution. A majority of the representatives of the clergy soon joined them, as did 47 members of the nobility. By 27 June, the royal party had overtly given in, although the military began to arrive in large numbers around Paris and Versailles. Messages of support for the Assembly poured in from Paris and other French cities.

National Constituent Assembly (1789–1791)

Storming of the Bastille

By this time, Necker had earned the enmity of many members of the French court for his overt manipulation of public opinion. Marie Antoinette, the King's younger brother the Comte d'Artois, and other conservative members of the King's privy council urged him to dismiss Necker as financial advisor. On 11 July 1789, after Necker published an inaccurate account of the government's debts and made it available to the public, the King fired him, and completely restructured the finance ministry at the same time.

Many Parisians presumed Louis's actions to be aimed against the Assembly and began open rebellion when they heard the news the next day. They were also afraid that arriving soldiers – mostly foreign mercenaries – had been summoned to shut down the National Constituent Assembly. The Assembly, meeting at Versailles, went into nonstop session to prevent another eviction from their meeting place. Paris was soon consumed by riots, chaos, and widespread looting. The mobs soon had the support of some of the French Guard, who were armed and trained soldiers. On 14 July, the insurgents set their eyes on the large weapons and ammunition cache inside the Bastille fortress, which was also perceived to be a symbol of royal power. After several hours of combat, the prison fell that afternoon. Despite ordering a cease fire, which prevented a mutual massacre, Governor Marquis Bernard de Launay was beaten, stabbed and decapitated; his head was placed on a pike and paraded about the city. Although the fortress had held only seven prisoners (four forgers, two noblemen kept for immoral behavior, and a murder suspect), the Bastille served as a potent symbol of everything hated under the ''Ancien Régime''. Returning to the Hôtel de Ville (city hall), the mob accused the ''prévôt des marchands'' (roughly, mayor) Jacques de Flesselles of treachery and butchered him.

The King, alarmed by the violence, backed down, at least for the time being. The Marquis de la Fayette took up command of the National Guard at Paris. Jean-Sylvain Bailly, president of the Assembly at the time of the Tennis Court Oath, became the city's mayor under a new governmental structure known as the ''commune''. The King visited Paris, where, on 17 July he accepted a tricolore cockade, to cries of ''Vive la Nation'' ("Long live the Nation") and ''Vive le Roi'' ("Long live the King").

Necker was recalled to power, but his triumph was short-lived. An astute financier but a less astute politician, Necker overplayed his hand by demanding and obtaining a general amnesty, losing much of the people's favour.

As civil authority rapidly deteriorated, with random acts of violence and theft breaking out across the country, members of the nobility, fearing for their safety, fled to neighboring countries; many of these ''émigrés'', as they were called, funded counter-revolutionary causes within France and urged foreign monarchs to offer military support to a counter-revolution.

By late July, the spirit of popular sovereignty had spread throughout France. In rural areas, many commoners began to form militias and arm themselves against a foreign invasion: some attacked the châteaux of the nobility as part of a general agrarian insurrection known as ''"la Grande Peur"'' ("the Great Fear"). In addition, wild rumours and paranoia caused widespread unrest and civil disturbances that contributed to the collapse of law and order.

Working toward a constitution

On 4 August 1789, the National Constituent Assembly abolished feudalism (although at that point there had been sufficient peasant revolts to almost end feudalism already), in what is known as the August Decrees, sweeping away both the seigneurial rights of the Second Estate and the tithes gathered by the First Estate. In the course of a few hours, nobles, clergy, towns, provinces, companies and cities lost their special privileges.

On 26 August 1789, the Assembly published the Declaration of the Rights of Man and of the Citizen, which comprised a statement of principles rather than a constitution with legal effect. The National Constituent Assembly functioned not only as a legislature, but also as a body to draft a new constitution.

Necker, Mounier, Lally-Tollendal and others argued unsuccessfully for a senate, with members appointed by the crown on the nomination of the people. The bulk of the nobles argued for an aristocratic upper house elected by the nobles. The popular party carried the day: France would have a single, unicameral assembly. The King retained only a "suspensive veto"; he could delay the implementation of a law, but not block it absolutely. The Assembly eventually replaced the historic provinces with 83 ''départements,'' uniformly administered and roughly equal in area and population.

Amid the Assembly's preoccupation with constitutional affairs, the financial crisis had continued largely unaddressed, and the deficit had only increased. Honoré Mirabeau now led the move to address this matter, and the Assembly gave Necker complete financial dictatorship.

Women's March on Versailles

Fueled by rumors of a reception for the King's bodyguards on 1 October 1789 at which the national cockade had been trampled upon, on 5 October 1789 crowds of women began to assemble at Parisian markets. The women first marched to the Hôtel de Ville, demanding that city officials address their concerns. The women were responding to the harsh economic situations they faced, especially bread shortages. They also demanded an end to royal efforts to block the National Assembly, and for the King and his administration to move to Paris as a sign of good faith in addressing the widespread poverty.

Getting unsatisfactory responses from city officials, as many as 7,000 women joined the march to Versailles, bringing with them cannons and a variety of smaller weapons. Twenty thousand National Guardsmen under the command of La Fayette responded to keep order, and members of the mob stormed the palace, killing several guards. La Fayette ultimately persuaded the king to accede to the demand of the crowd that the monarchy relocate to Paris.

On 6 October 1789, the King and the royal family moved from Versailles to Paris under the "protection" of the National Guards, thus legitimizing the National Assembly.

Revolution and the Church

The Revolution caused a massive shift of power from the Roman Catholic Church to the state. Under the ''Ancien Régime'', the Church had been the largest single landowner in the country, owning about 10% of the land in the kingdom. The Church was exempt from paying taxes to the government, while it levied a tithe—a 10% tax on income, often collected in the form of crops—on the general population, which it then redistributed to the poor. The power and wealth of the Church was highly resented by some groups. A small minority of Protestants living in France, such as the Huguenots, wanted an anti-Catholic regime and revenge against the clergy who discriminated against them. Enlightenment thinkers such as Voltaire helped fuel this resentment by denigrating the Catholic Church and destabilizing the French monarchy. As historian John McManners argues, "In eighteenth-century France throne and altar were commonly spoken of as in close alliance; their simultaneous collapse ... would one day provide the final proof of their interdependence."

This resentment toward the Church weakened its power during the opening of the Estates General in May 1789. The Church composed the First Estate with 130,000 members of the clergy. When the National Assembly was later created in June 1789 by the Third Estate, the clergy voted to join them, which perpetuated the destruction of the Estates General as a governing body. The National Assembly began to enact social and economic reform. Legislation sanctioned on 4 August 1789 abolished the Church's authority to impose the tithe. In an attempt to address the financial crisis, the Assembly declared, on 2 November 1789, that the property of the Church was "at the disposal of the nation." They used this property to back a new currency, the assignats. Thus, the nation had now also taken on the responsibility of the Church, which included paying the clergy, caring for the poor, the sick and the orphaned. In December, the Assembly began to sell the lands to the highest bidder to raise revenue, effectively decreasing the value of the assignats by 25% in two years. In autumn 1789, legislation abolished monastic vows and on 13 February 1790 all religious orders were dissolved. Monks and nuns were encouraged to return to private life and a small percentage did eventually marry.

The Civil Constitution of the Clergy, passed on 12 July 1790, turned the remaining clergy into employees of the state. This established an election system for parish priests and bishops and set a pay rate for the clergy. Many Catholics objected to the election system because it effectively denied the authority of the Pope in Rome over the French Church. Eventually, in November 1790, the National Assembly began to require an oath of loyalty to the Civil Constitution from all the members of the clergy. This led to a schism between those clergy who swore the required oath and accepted the new arrangement and those who remained loyal to the Pope. Overall, 24% of the clergy nationwide took the oath. Widespread refusal led to legislation against the clergy, "forcing them into exile, deporting them forcibly, or executing them as traitors." Pope Pius VI never accepted the Civil Constitution of the Clergy, further isolating the Church in France. During the Reign of Terror, extreme efforts of de-Christianization ensued, including the imprisonment and massacre of priests and destruction of churches and religious images throughout France. An effort was made to replace the Catholic Church altogether, with civic festivals replacing religious ones. The establishment of the Cult of Reason was the final step of radical de-Christianization. These events led to a widespread disillusionment with the Revolution and to counter-rebellions across France. Locals often resisted de-Christianization by attacking revolutionary agents and hiding members of the clergy who were being hunted. Eventually, Robespierre and the Committee of Public Safety were forced to denounce the campaign, replacing the Cult of Reason with the deist but still non-Christian Cult of the Supreme Being. The Concordat of 1801 between Napoleon and the Church ended the de-Christianization period and established the rules for a relationship between the Catholic Church and the French State that lasted until it was abrogated by the Third Republic via the separation of church and state on 11 December 1905. The persecution of the Church led to a counter-revolution known as the Revolt in the Vendée, whose suppression is considered by some to be the first modern genocide.

Intrigues and radicalism

Factions within the Assembly began to clarify. The aristocrat Jacques Antoine Marie de Cazalès and the abbé Jean-Sifrein Maury led what would become known as the right wing, the opposition to revolution (this party sat on the right-hand side of the Assembly). The "Royalist democrats" or ''monarchiens'', allied with Necker, inclined toward organising France along lines similar to the British constitutional model; they included Jean Joseph Mounier, the Comte de Lally-Tollendal, the comte de Clermont-Tonnerre, and Pierre Victor Malouet, comte de Virieu.

The "National Party", representing the centre or centre-left of the assembly, included Honoré Mirabeau, La Fayette, and Bailly; while Adrien Duport, Barnave and Alexandre Lameth represented somewhat more extreme views. Almost alone in his radicalism on the left was the Arras lawyer Maximilien Robespierre. Abbé Sieyès led in proposing legislation in this period and successfully forged consensus for some time between the political centre and the left. In Paris, various committees, the mayor, the assembly of representatives, and the individual districts each claimed authority independent of the others. The increasingly middle-class National Guard under La Fayette also slowly emerged as a power in its own right, as did other self-generated assemblies. The Assembly abolished the symbolic paraphernalia of the ''Ancien Régime''— armorial bearings, liveries, etc. – which further alienated the more conservative nobles, and added to the ranks of the ''émigrés''. On 14 July 1790, and for several days following, crowds in the Champ de Mars celebrated the anniversary of the fall of the Bastille with the ''Fête de la Fédération''; Talleyrand performed a mass; participants swore an oath of "fidelity to the nation, the law, and the king"; the King and the royal family actively participated.

The electors had originally chosen the members of the Estates-General to serve for a single year. However, by the terms of the Tennis Court Oath, the ''communes'' had bound themselves to meet continuously until France had a constitution. Right-wing elements now argued for a new election, but Mirabeau prevailed, asserting that the status of the assembly had fundamentally changed, and that no new election should take place before completing the constitution.

In late 1790, the French army was in considerable disarray. The military officer corps was largely composed of noblemen, who found it increasingly difficult to maintain order within the ranks. In some cases, soldiers (drawn from the lower classes) had turned against their aristocratic commanders and attacked them. At Nancy, General Bouillé successfully put down one such rebellion, only to be accused of being anti-revolutionary for doing so. This and other such incidents spurred a mass desertion as more and more officers defected to other countries, leaving a dearth of experienced leadership within the army.

This period also saw the rise of the political "clubs" in French politics. Foremost among these was the Jacobin Club; 152 members had affiliated with the Jacobins by 10 August 1790. The Jacobin Society began as a broad, general organization for political debate, but as it grew in members, various factions developed with widely differing views. Several of these fractions broke off to form their own clubs, such as the Club of '89.

Meanwhile, the Assembly continued to work on developing a constitution. A new judicial organisation made all magistracies temporary and independent of the throne. The legislators abolished hereditary offices, except for the monarchy itself. Jury trials started for criminal cases. The King would have the unique power to propose war, with the legislature then deciding whether to declare war. The Assembly abolished all internal trade barriers and suppressed guilds, masterships, and workers' organisations: any individual gained the right to practice a trade through the purchase of a license; strikes became illegal.

In the winter of 1791, the Assembly considered, for the first time, legislation against the ''émigrés''. The debate pitted the safety of the Revolution against the liberty of individuals to leave. Mirabeau prevailed against the measure, which he referred to as "worthy of being placed in the code of Draco". But Mirabeau died on 2 April 1791 and, before the end of the year, the new Legislative Assembly adopted this draconian measure.

Royal flight to Varennes

Louis XVI, egged on by Marie Antoinette and other members of his family, opposed the course of the Revolution, but rejected the potentially treacherous aid of the other monarchs of Europe. He cast his lot with General Bouillé, who condemned both the emigration and the Assembly, and promised him refuge and support in his camp at Montmédy. On the night of 20 June 1791, the royal family fled the Tuileries Palace dressed as servants, while their servants dressed as nobles.

However, late the next day, the King was recognised and arrested at Varennes (in the Meuse ''département''). He and his family were brought back to Paris under guard, still dressed as servants. Pétion, Latour-Maubourg, and Antoine Pierre Joseph Marie Barnave, representing the Assembly, met the royal family at Épernay and returned with them. From this time, Barnave became a counselor and supporter of the royal family. When they returned to Paris, the crowd greeted them in silence. The Assembly provisionally suspended the King. He and Queen Marie Antoinette remained held under guard.

Completing the constitution

As most of the Assembly still favoured a constitutional monarchy rather than a republic, the various groups reached a compromise which left Louis XVI as little more than a figurehead: he was forced to swear an oath to the constitution, and a decree declared that retracting the oath, heading an army for the purpose of making war upon the nation, or permitting anyone to do so in his name would amount to abdication.

However, Jacques Pierre Brissot drafted a petition, insisting that in the eyes of the nation Louis XVI was deposed since his flight. An immense crowd gathered in the Champ de Mars to sign the petition. Georges Danton and Camille Desmoulins gave fiery speeches. The Assembly called for the municipal authorities to "preserve public order". The National Guard under La Fayette's command confronted the crowd. The soldiers responded to a barrage of stones by firing into the crowd, killing between 13 and 50 people.

In the wake of this massacre the authorities closed many of the patriotic clubs, as well as radical newspapers such as Jean-Paul Marat's ''L'Ami du Peuple''. Danton fled to England; Desmoulins and Marat went into hiding.

Meanwhile, a new threat arose from abroad: Holy Roman Emperor Leopold II, Frederick William II of Prussia, and the King's brother Charles-Philippe, comte d'Artois, issued the Declaration of Pillnitz, which considered the cause of Louis XVI as their own, demanded his absolute liberty and implied an invasion of France on his behalf if the revolutionary authorities refused its conditions. The French people expressed no respect for the dictates of foreign monarchs, and the threat of force merely hastened their militarisation.

Even before the "Flight to Varennes", the Assembly members had determined to debar themselves from the legislature that would succeed them, the Legislative Assembly. They now gathered the various constitutional laws they had passed into a single constitution, showed remarkable strength in choosing not to use this as an occasion for major revisions, and submitted it to the recently restored Louis XVI, who accepted it, writing "I engage to maintain it at home, to defend it from all attacks from abroad, and to cause its execution by all the means it places at my disposal". The King addressed the Assembly and received enthusiastic applause from members and spectators. With this capstone, the National Constituent Assembly adjourned in a final session on 30 September 1791.

Mignet argued that the "constitution of 1791... was the work of the middle class, then the strongest; for, as is well known, the predominant force ever takes possession of institutions... In this constitution the people was the source of all powers, but it exercised none."

Legislative Assembly (1791–1792)

Failure of the constitutional monarchy

Under the Constitution of 1791, France would function as a constitutional monarchy. The King had to share power with the elected Legislative Assembly, but he still retained his royal veto and the ability to select ministers. The Legislative Assembly first met on 1 October 1791, and degenerated into chaos less than a year later. In the words of the 1911 Encyclopædia Britannica: "In the attempt to govern, the Assembly failed altogether. It left behind an empty treasury, an undisciplined army and navy, and a people debauched by safe and successful riot." The Legislative Assembly consisted of about 165 Feuillants (constitutional monarchists) on the right, about 330 Girondists (liberal republicans) and Jacobins (radical revolutionaries) on the left, and about 250 deputies unaffiliated with either faction. Early on, the King vetoed legislation that threatened the ''émigrés'' with death and that decreed that every non-juring clergyman must take within eight days the civic oath mandated by the Civil Constitution of the Clergy. Over the course of a year, such disagreements would lead to a constitutional crisis.

Constitutional crisis

On the night of 10 August 1792, insurgents and popular militias, supported by the revolutionary Paris Commune, assailed the Tuileries Palace and massacred the Swiss Guards who were assigned for the protection of the king. The royal family ended up prisoners and a rump session of the Legislative Assembly suspended the monarchy; little more than a third of the deputies were present, almost all of them Jacobins.

What remained of a national government depended on the support of the insurrectionary Commune. The Commune sent gangs into the prisons to try arbitrarily and butcher 1400 victims, and addressed a circular letter to the other cities of France inviting them to follow this example. The Assembly could offer only feeble resistance. This situation persisted until the Convention, elected by universal male suffrage and charged with writing a new constitution, met on 20 September 1792 and became the new ''de facto'' government of France. The next day it abolished the monarchy and declared a republic. This date was later retroactively adopted as the beginning of Year One of the French Republican Calendar.

War and Counter-Revolution (1792–1797)

The politics of the period inevitably drove France towards war with Austria and its allies. The King, many of the Feuillants and the Girondins specifically wanted to wage war. The King (and many Feuillants with him) expected war would increase his personal popularity; he also foresaw an opportunity to exploit any defeat: either result would make him stronger. The Girondins wanted to export the Revolution throughout Europe and, by extension, to defend the Revolution within France. The forces opposing war were much weaker. Barnave and his supporters among the Feuillants feared a war they thought France had little chance to win and which they feared might lead to greater radicalization of the revolution. On the other end of the political spectrum, Robespierre opposed war, preferring to consolidate and expand the Revolution at home. The Austrian emperor Leopold II, brother of Marie Antoinette, may have wished to avoid war, but he died on 1 March 1792. France preemptively declared war on Austria (20 April 1792) and Prussia joined on the Austrian side a few weeks later. The invading Prussian army faced little resistance until checked at the Battle of Valmy (20 September 1792), and forced to withdraw.

The new-born Republic followed up on this success with a series of victories in Belgium and the Rhineland in the fall of 1792. The French armies defeated the Austrians at the Battle of Jemappes on 6 November, and had soon taken over most of the Austrian Netherlands. This brought them into conflict with Britain and the Dutch Republic, which wished to preserve the independence of the southern Netherlands from France. After the king's execution in January 1793, these powers, along with Spain and most other European states, joined the war against France. Almost immediately, French forces faced defeat on many fronts, and were driven out of their newly conquered territories in the spring of 1793. At the same time, the republican regime was forced to deal with rebellions against its authority in much of western and southern France. But the allies failed to take advantage of French disunity, and by the autumn of 1793 the republican regime had defeated most of the internal rebellions and halted the allied advance into France itself.

The stalemate was broken in the summer of 1794 with dramatic French victories. They defeated the allied army at the Battle of Fleurus, leading to a full Allied withdrawal from the Austrian Netherlands. They followed up by a campaign which swept the allies to the east bank of the Rhine and left the French, by the beginning of 1795, conquering Holland itself. The House of Orange was expelled and replaced by the Batavian Republic, a French satellite state. These victories led to the collapse of the coalition against France. Prussia, having effectively abandoned the coalition in the fall of 1794, made peace with revolutionary France at Basel in April 1795, and soon thereafter Spain, too, made peace with France. Of the major powers, only Britain and Austria remained at war with France. It was during this time, that ''La Marseillaise'', originally ''Chant de guerre pour l'Armée du Rhin'' ("War Song for the Army of the Rhine"), was written and composed by Claude Joseph Rouget de Lisle in 1792 and adopted in 1795 as the nation's first anthem.

National Convention (1792–1795)

Execution of Louis XVI

In the Brunswick Manifesto, the Imperial and Prussian armies threatened retaliation on the French population if it were to resist their advance or the reinstatement of the monarchy. This made Louis appear to be conspiring with the enemies of France. 17 January 1793 saw Louis condemned to death for "conspiracy against the public liberty and the general safety" by a close majority in Convention: 361 voted to execute the king, 288 voted against, and another 72 voted to execute him subject to a variety of delaying conditions. The former Louis XVI, now simply named ''Citoyen Louis Capet'' (Citizen Louis Capet), was executed by guillotine on 21 January 1793 on the ''Place de la Révolution'', former ''Place Louis XV'', now called the Place de la Concorde. Royalty across Europe was horrified and many heretofore neutral countries soon joined the war against revolutionary France.

Economy

When war went badly, prices rose and the ''sans-culottes'' — poor labourers and radical Jacobins – rioted; counter-revolutionary activities began in some regions. This encouraged the Jacobins to seize power through a parliamentary ''coup'', backed up by force effected by mobilising public support against the Girondist faction, and by utilising the mob power of the Parisian ''sans-culottes''. An alliance of Jacobin and ''sans-culottes'' elements thus became the effective centre of the new government. Policy became considerably more radical, as "The Law of the Maximum" set food prices and led to executions of offenders. This policy of price control was coeval with the Committee of Public Safety's rise to power and the Reign of Terror. The Committee first attempted to set the price for only a limited number of grain products but, by September 1793, it expanded the "maximum" to cover all foodstuffs and a long list of other goods. Widespread shortages and famine ensued. The Committee reacted by sending dragoons into the countryside to arrest farmers and seize crops. This temporarily solved the problem in Paris, but the rest of the country suffered. By the spring of 1794, forced collection of food was not sufficient to feed even Paris and the days of the Committee were numbered. When Robespierre went to the guillotine in July of that year the crowd jeered, "There goes the dirty maximum!"

Reign of Terror

The Committee of Public Safety came under the control of Maximilien Robespierre, a lawyer, and the Jacobins unleashed the Reign of Terror (1793–1794). According to archival records, at least 16,594 people died under the guillotine or otherwise after accusations of counter-revolutionary activities. A number of historians note that as many as 40,000 accused prisoners may have been summarily executed without trial or died awaiting trial.

On 2 June 1793, Paris sections — encouraged by the ''enragés'' ("enraged ones") Jacques Roux and Jacques Hébert – took over the Convention, calling for administrative and political purges, a low fixed price for bread, and a limitation of the electoral franchise to ''sans-culottes'' alone. With the backing of the National Guard, they managed to persuade the Convention to arrest 31 Girondin leaders, including Jacques Pierre Brissot. Following these arrests, the Jacobins gained control of the Committee of Public Safety on 10 June, installing the ''revolutionary dictatorship''. On 13 July, the assassination of Jean-Paul Marat — a Jacobin leader and journalist known for his bloodthirsty rhetoric — by Charlotte Corday, a Girondin, resulted in further increase of Jacobin political influence. Georges Danton, the leader of the August 1792 uprising against the King, undermined by several political reversals, was removed from the Committee and Robespierre, "the Incorruptible", became its most influential member as it moved to take radical measures against the Revolution's domestic and foreign enemies.

Meanwhile, on 24 June, the Convention adopted the first republican constitution of France, variously referred to as the French Constitution of 1793 or Constitution of the Year I. It was progressive and radical in several respects, in particular by establishing universal male suffrage. It was ratified by public referendum, but normal legal processes were suspended before it could take effect.

War in the Vendée

In Vendée, peasants revolted against the French Revolutionary government in 1793. They resented the changes imposed on the Roman Catholic Church by the Civil Constitution of the Clergy (1790) and broke into open revolt in defiance of the Revolutionary government's military conscription. This became a guerrilla war, known as the War in the Vendée. North of the Loire, similar revolts were started by the so-called Chouans (royalist rebels).

After the defeat at Savenay, when regular warfare in the Vendée was at an end, the French general Francois Joseph Westermann penned a letter to the Committee of Public Safety stating

"There is no more Vendée. It died with its wives and its children by our free sabres. I have just buried it in the woods and the swamps of Savenay. According to the orders that you gave me, I crushed the children under the feet of the horses, massacred the women who, at least for these, will not give birth to any more brigands. I do not have a prisoner to reproach me. I have exterminated all. The roads are sown with corpses. At Savenay, brigands are arriving all the time claiming to surrender, and we are shooting them non-stop... Mercy is not a revolutionary sentiment."''

However, some historians doubt the authenticity of this document and others point out that the claims in it were patently false — there were in fact thousands of (living) Vendean prisoners, the revolt had been far from crushed, and the Convention had explicitly decreed that women, children and unarmed men were to be treated humanely. It has been hypothesized that if the letter is authentic, that may have been Westermann's attempt to exaggerate the intensity of his actions and his success, because he was eager to avoid being purged for his incompetent military leadership and for his opposition to ''sans-culotte'' generals (he failed to avoid that, since he was guillotined together with Danton's group).

The revolt and its suppression (including both combat casualties and massacres and executions on both sides) are thought to have taken between 117,000 and 250,000 lives (170,000 according to the latest estimates). Because of the extremely brutal forms that the Republican repression took in many places, certain historians such as Reynald Secher have called the event a "genocide". This description has become popular in the mass media, but it has attracted much criticism in academia as being unrealistic and biased.

Facing local revolts and foreign invasions in both the East and West of the country, the most urgent government business was the war. On 17 August, the Convention voted for general conscription, the ''levée en masse'', which mobilized all citizens to serve as soldiers or suppliers in the war effort.

The result was a policy through which the state used violent repression to crush resistance to the government. Under control of the effectively dictatorial Committee, the Convention quickly enacted more legislation. On 9 September, the Convention established ''sans-culottes'' paramilitary forces, the ''revolutionary armies'', to force farmers to surrender grain demanded by the government. On 17 September, the ''Law of Suspects'' was passed, which authorized the charging of counter-revolutionaries with vaguely defined crimes against liberty. On 29 September, the Convention extended price-fixing from grain and bread to other household goods and declared the right to set a limit on wages.

The guillotine as a symbol

The guillotine became the symbol of a string of executions. Louis XVI had already been guillotined before the start of the terror; Queen Marie Antoinette, Barnave, Bailly, Brissot and other leading Girondins, Philippe Égalité (despite his vote for the death of the King), Madame Roland and many others were executed by guillotine. The Revolutionary Tribunal summarily condemned thousands of people to death by the guillotine, while mobs beat other victims to death.

At the peak of the terror, the slightest hint of counter-revolutionary thoughts or activities (or, as in the case of Jacques Hébert, revolutionary zeal exceeding that of those in power) could place one under suspicion, and trials did not always proceed according to contemporary standards of due process. Sometimes people died for their political opinions or actions, but many for little reason beyond mere suspicion, or because some others had a stake in getting rid of them. Most of the victims received an unceremonious trip to the guillotine in an open wooden cart (the tumbrel). In the rebellious provinces, the government representatives had unlimited authority and some engaged in extreme repressions and abuses. For example, Jean-Baptiste Carrier became notorious for the ''Noyades'' ("drownings") he organized in Nantes; his conduct was judged unacceptable even by the Jacobin government and he was recalled.

Another anti-clerical uprising was made possible by the installment of the Republican Calendar on 24 October 1793. Against Robespierre's concepts of Deism and Virtue, Hébert's (and Chaumette's) atheist movement initiated a religious campaign to dechristianize society. The climax was reached with the celebration of the flame of Reason in Notre Dame Cathedral on 10 November. The Reign of Terror enabled the revolutionary government to avoid military defeat. The Jacobins expanded the size of the army, and Carnot replaced many aristocratic officers with younger soldiers who had demonstrated their ability and patriotism. The Republican army was able to throw back the Austrians, Prussians, British, and Spanish. At the end of 1793, the army began to prevail and revolts were defeated with ease. The Ventôse Decrees (February–March 1794) proposed the confiscation of the goods of exiles and opponents of the Revolution, and their redistribution to the needy.

In the spring of 1794, both extremist ''enragés'' such as Hébert and moderate Montagnard ''indulgents'' such as Danton were charged with counter-revolutionary activities, tried and guillotined. On 7 June Robespierre, who had previously condemned the ''Cult of Reason'', advocated a new state religion and recommended the Convention acknowledge the existence of the "Supreme Being".

Thermidorian Reaction

On 27 July 1794, the Thermidorian Reaction led to the arrest and execution of Robespierre, Louis de Saint-Just, and other leading Jacobins. The new government was predominantly made up of Girondists who had survived the Terror, and after taking power, they took revenge as well by persecuting even those Jacobins who had helped to overthrow Robespierre, banning the Jacobin Club, and executing many of its former members in what was known as the White Terror.

In the wake of excesses of the Terror, the Convention approved the new "Constitution of the Year III" on 22 August 1795. A French plebiscite ratified the document, with about 1,057,000 votes for the constitution and 49,000 against. The results of the voting were announced on 23 September 1795, and the new constitution took effect on 27 September 1795.

The Constitutional Republic: The Directory (1795–1799)

The new constitution created the ''Directoire'' () and the first bicameral legislature in French history. The parliament consisted of two houses: the ''Conseil des Cinq-Cents'' (Council of the Five Hundred), with 500 representatives, and the ''Conseil des Anciens'' (Council of Elders), with 250 senators. Executive power went to five "directors," named annually by the ''Conseil des Anciens'' from a list submitted by the ''Conseil des Cinq-Cents''. Furthermore, the universal suffrage of 1793 was replaced by limited suffrage based on property.

With the establishment of the Directory, contemporary observers might have assumed that the Revolution was finished. Citizens of the war-weary nation wanted stability, peace, and an end to conditions that at times bordered on chaos. Those who wished to restore the monarchy and the ''Ancien Régime'' by putting Louis XVIII on the throne, and those who would have renewed the Reign of Terror were insignificant in number. The possibility of foreign interference had vanished with the failure of the First Coalition. The earlier atrocities had made confidence or goodwill between parties impossible. The same instinct of self-preservation which had led the members of the Convention to claim so large a part in the new legislature and the whole of the Directory impelled them to keep their predominance. However, many French citizens distrusted the Directory, and the directors could achieve their purposes only by extraordinary means. They habitually disregarded the terms of the constitution, and, even when the elections that they rigged went against them, the directors routinely used draconian police measures to quell dissent. Moreover, to prolong their power the directors were driven to rely on the military, which desired war and grew less and less civic-minded.

Other reasons influenced them in the direction of war. State finances during the earlier phases of the Revolution had been so thoroughly ruined that the government could not have met its expenses without the plunder and the tribute of foreign countries. If peace were made, the armies would return home and the directors would have to face the exasperation of the rank-and-file who had lost their livelihood, as well as the ambition of generals who could, in a moment, brush them aside. Barras and Rewbell were notoriously corrupt themselves and screened corruption in others. The patronage of the directors was ill-bestowed, and the general maladministration heightened their unpopularity.

The constitutional party in the legislature desired toleration of the nonjuring clergy, the repeal of the laws against the relatives of the émigrés, and some merciful discrimination toward the émigrés themselves. The directors baffled all such endeavours. On the other hand, the socialist conspiracy of Babeuf was easily quelled. Little was done to improve the finances, and the assignats continued to fall in value.

The new régime met opposition from remaining Jacobins and the royalists. The army suppressed riots and counter-revolutionary activities. In this way the army and its successful general, Napoleon Bonaparte eventually gained total power.

On 9 November 1799 (18 Brumaire of the Year VIII) Napoleon Bonaparte staged the ''coup of 18 Brumaire'' which installed the Consulate. This effectively led to Bonaparte's dictatorship and eventually (in 1804) to his proclamation as ''Empereur'' (emperor), which brought to a close the specifically republican phase of the French Revolution.

Symbolism in the French Revolution

The French Revolution was a time of upheaval, especially towards traditional ideology, in almost every sense: the current monarch, King Louis XVI, was executed; the Catholic Church was all but abolished; a new calendar was created; and a new Republican government was established. In order to effectively illustrate the differences between the new Republic and the old regime, the leaders needed to implement a new set of symbols to be celebrated instead of the old religious and monarchical symbolism. To this end, symbols were borrowed from historic cultures and redefined, while those of the old regime were either destroyed or reattributed acceptable characteristics. These revised symbols were used to instill in the public a new sense of tradition and reverence for the Enlightenment and the Republic.

Fasces

Fasces, likes many other symbols of the French Revolution, are Roman in origin. Fasces are a bundle of birch rods containing an axe. In Roman times, the fasces symbolized the power of magistrates who could order the beating of a criminal, representing union and accord with the Roman Republic. The French Republic continued this Roman symbol to represent state power, justice, and unity. During the French Revolution the fasces image is seen in conjunction with many other symbols. This is seen with many emblems of the French Revolution. Though seen throughout the French Revolution, perhaps the most well known French reincarnation of the fasces is the Fasces surmounted by a Phrygian cap. This image has no display of an axe or a strong central state; rather, it symbolizes the power of the liberated people by placing the Liberty Cap on top of the classical symbol of power.

Liberty cap

The Liberty cap, also known as the Phrygian cap, or pileus, is a brimless, felt cap that is conical in shape with the tip pulled forward. The cap was originally worn by ancient Romans and Greeks. The cap implies ennobling effects, as seen in its association with Homer’s Ulysses and the mythical twins, Castor and Pollux. The emblem’s popularity during the French Revolution is due in part to its importance in ancient Rome: its use alludes to the Roman ritual of manumission of slaves, in which a freed slave receives the bonnet as a symbol of his newfound liberty. The Roman tribune Lucius Appuleius Saturninus incited the slaves to insurrection by displaying a pileus as if it were a standard. The pileus cap is often red in color. This type of cap was worn by revolutionaries at the fall of the Bastille. According to the Revolutions de Paris, it became "the symbol of the liberation from all servitudes, the sign for unification of all the enemies of despotism." The pileus competed with the Phrygian cap, a similar cap that covered the ears and the nape of the neck, for popularity. The Phrygian cap eventually supplanted the pileus and usurped its symbolism, becoming synonymous with republican liberty.

Liberty Tree

The Liberty Tree, officially adopted in 1792, is a symbol of the everlasting Republic, national freedom, and political revolution. It has historic roots in revolutionary France as well as America, as a symbol that was shared by the two nascent republics. The tree was chosen as a symbol of the French Revolution because it is a symbol of fertility in French folklore, which provided a simple transition from revering it for one reason to another. The American colonies also used the idea of a Liberty Tree to celebrate their own acts of insurrection against the British, starting with the Stamp Act riot in 1765. The riot culminated in the hanging in effigy of two Stamp Act politicians on a large elm tree. The elm tree began to be celebrated as a symbol of Liberty in the American colonies. It was adopted as a symbol that needed to be living and growing, along with the Republic. To that end, the tree is portrayed as a sapling, usually of an oak tree in French interpretation. The Liberty Tree serves as a constant celebration of the spirit of political freedom.

Hercules

The symbol of Hercules was first adopted by the Old Regime to represent the monarchy. Hercules was an ancient Greek hero who symbolized strength and power. The symbol was used to represent the sovereign authority of the King over France during the reign of the Bourbon monarchs. However, the monarchy was not the only ruling power in French history to use the symbol of Hercules to declare its power.

During the Revolution, the symbol of Hercules was revived to represent nascent revolutionary ideals. The first use of Hercules as a revolutionary symbol was during a festival celebrating the National Assembly’s victory over federalism on 10 August 1793. This Festival of Unity consisted of four stations around Paris which featured symbols representing major events of the Revolution which embodied revolutionary ideals of liberty, unity, and power. The statue of Hercules, placed at the station commemorating the fall of Louis XVI, symbolized the power of the French people over their former oppressors. The statue’s foot was placed on the throat of the Hydra, which represented the tyranny of federalism which the new Republic had vanquished. In one hand, the statue grasped a club, a symbol of power, while in the other grasping the fasces which symbolized the unity of the French people. The image of Hercules assisted the new Republic in establishing its new Republican moral system. Hercules thus evolved from a symbol of the sovereignty of the monarch into a symbol of the new sovereign authority in France: the French people. This transition was made easily for two reasons. First, because Hercules was a famous mythological figure, and had previously been used by the monarchy, he was easily recognized by educated French observers. It was not necessary for the revolutionary government to educate the French people on the background of the symbol. Additionally, Hercules recalled the classical age of the Greeks and the Romans, a period which the revolutionaries identified with republican and democratic ideals. These connotations made Hercules an easy choice to represent the powerful new sovereign people of France.

During the more radical phase of the Revolution from 1793 to 1794, the usage and depiction of Hercules changed. These changes to the symbol were due to revolutionary leaders believing the symbol was inciting violence among the common citizens. The triumphant battles of Hercules and the overcoming of enemies of the Republic became less prominent. In discussions over what symbol to use for the Seal of the Republic, the image of Hercules was considered but eventually ruled out in favor of Marianne. Hercules was on the coin of the Republic. However, this Hercules was not the same image as that of the pre-Terror phases of the Revolution. The new image of Hercules was more domesticated. He appeared more paternal, older, and wiser, rather than the warrior-like images in the early stages of the French Revolution. Unlike his 24 foot statue in the Festival of the Supreme Being, he was now the same size as Liberty and Equality. Also the language on the coin with Hercules was far different than the rhetoric of pre-revolutionary depictions. On the coins the words, "uniting Liberty and Equality" were used. This is opposed to the forceful language of early Revolutionary rhetoric and rhetoric of the Bourbon monarchy. By 1798, the Council of Ancients had discussed the "inevitable" change from the problematic image of Hercules, and Hercules was eventually phased out in favor of an even more docile image.

Role of women

Women had no political rights in pre-Revolutionary France; they couldn’t vote or hold any political office. They were considered "passive" citizens; forced to rely on men to determine what was best for them in the government. It was the men who defined these categories, and women were forced to accept male domination in the political sphere. The ''Encyclopédie'', published by a group of philosophers over the years 1751–1777, summarized French male beliefs of women. A woman was a "failed man," the fetus not fully developed in the womb. "Women’s testimony is in general light and subject to variation; this is why it is taken more seriously than that of men" as opposed to men, upon whom "Nature seems to have conferred… the right to govern." In general, "men are more capable than women of ably governing particular matters". Instead, women were taught to be committed to their husbands and "all his interests… [to show] attention and care… [and] sincere and discreet zeal for his salvation." A woman’s education often consisted of learning to be a good wife and mother; as a result women were not supposed to be involved in the political sphere, as the limit of their influence was the raising of future citizens.

When the Revolution opened, some women struck forcefully, using the volatile political climate to assert their active natures. In the time of the Revolution, women could not be kept out of the political sphere; they swore oaths of loyalty, "solemn declarations of patriotic allegiance, [and] affirmations of the political responsibilities of citizenship." Throughout the Revolution, women such as Pauline Léon and her Society of Revolutionary Republican Women fought for the right to bear arms, used armed force and rioted.

Even before Léon, some liberals had advocated equal rights for women including women's suffrage. Nicolas de Condorcet was especially noted for his advocacy, in his articles published in the ''Journal de la Société de 1789'', and by publishing ''De l'admission des femmes au droit de cité'' ("For the Admission to the Rights of Citizenship For Women") in 1790.

Feminist agitation

The March to Versailles is but one example of feminist militant activism during the French Revolution. While largely left out of the thrust for increasing rights of citizens, as the question was left indeterminate in the Declaration of the Rights of Man, activists such as Pauline Léon and Théroigne de Méricourt agitated for full citizenship for women. Women were, nonetheless, "denied political rights of ‘active citizenship’ (1791) and democratic citizenship (1793)."

Pauline Léon, on 6 March 1792, submitted a petition signed by 319 women to the National Assembly requesting permission to form a garde national in order to defend Paris in case of military invasion. Léon requested permission be granted to women to arm themselves with pikes, pistols, sabers and rifles, as well as the privilege of drilling under the French Guards. Her request was denied. Later in 1792, Théroigne de Méricourt made a call for the creation of "legions of amazons" in order to protect the revolution. As part of her call, she claimed that the right to bear arm would transform women into citizens.

On 20 June 1792 a number of armed women took part in a procession that "passed through the halls of the Legislative Assembly, into the Tuilleries Gardens, and then through the King’s residence." Militant women also assumed a special role in the funeral of Marat, following his murder on 13 July 1793. As part of the funeral procession, they carried the bathtub in which Marat had been murdered as well as a shirt stained with Marat’s blood.

The most radical militant feminist activism was practiced by the Society of Revolutionary Republican Women, which was founded by Léon and her colleague, Claire Lacombe on 10 May 1793. The goal of the club was "to deliberate on the means of frustrating the projects of the enemies of the Republic." Up to 180 women attended the meetings of the Society. Of special interest to the Society was "combating hoarding [of grain and other staples] and inflation."

Later, on 20 May 1793, women were at the fore of a crowd that demanded "bread and the Constitution of 1793." When their cries went unnoticed, the women went on a rampage, "sacking shops, seizing grain and kidnapping officials."

Most of these outwardly activist women were punished for their actions. The kind of punishment received during the Revolution included public denouncement, arrest, execution, or exile. Théroigne de Méricourt was arrested, publicly flogged and then spent the rest of her life sentenced to an insane asylum. Pauline Léon and Claire Lacombe were arrested, later released, and continued to receive ridicule and abuse for their activism. Many of the women of the Revolution were even publicly executed for "conspiring against the unity and the indivisibility of the Republic".

These are but a few examples of the militant feminism that was prevalent during the French Revolution. While little progress was made toward gender equality during the Revolution, the activism of French feminists was bold and particularly significant in Paris.

Women writers

While some women chose a militant, and often violent, path, others chose to influence events through writing, publications, and meetings. Olympe de Gouges wrote a number of plays, short stories, and novels. Her publications emphasized that women and men are different, but this shouldn’t stop them from equality under the law. In her "Declaration on the Rights of Woman" she insisted that women deserved rights, especially in areas concerning them directly, such as divorce and recognition of illegitimate children. De Gouges also expressed non-gender political views; even before the start of the terror, Olympe de Gouges addressed Robespierre using the pseudonym "Polyme" calling him the Revolution’s "infamy and shame." She warned of the Revolution’s building extremism saying that leaders were "preparing new shackles if [the French people’s liberty were to] waver." Stating that she was willing to sacrifice herself by jumping into the Seine if Robespierre were to join her, de Gouges desperately attempted to grab the attention of the French citizenry and alert them to the dangers that Robespierre embodied. In addition to these bold writings, her defense of the king was one of the factors leading to her execution. An influential figure, one of her suggestions early in the Revolution, to have a voluntary, patriotic tax, was adopted by the National Convention in 1789.

Madame Roland (aka Manon or Marie Roland) was another important female activist. Her political focus was not specifically on women or their liberation. She focused on other aspects of the government, but was a feminist by virtue of the fact that she was a woman working to influence the world. Her personal letters to leaders of the Revolution influenced policy; in addition, she often hosted political gatherings of the Brissotins, a political group which allowed women to join. While limited by her gender, Madame Roland took it upon herself to spread Revolutionary ideology and spread word of events, as well as to assist in formulating the policies of her political allies. Though unable to directly write policies or carry them through to the government, Roland was able to influence her political allies and thus promote her political agenda. Roland attributed women’s lack of education to the public view that women were too weak or vain to be involved in the serious business of politics. She believed that it was this inferior education that turned them into foolish people, but women "could easily be concentrated and solidified upon objects of great significance" if given the chance. As she was led to the scaffold, Madame Roland shouted "O liberty! What crimes are committed in thy name!" Witnesses of her life and death, editors, and readers helped to finish her writings and several editions were published posthumously. While she did not focus on gender politics in her writings, by taking an active role in the tumultuous time of the Revolution, Roland took a stand for women of the time and proved they could take an intelligent active role in politics.

Though women did not gain the right to vote as a result of the Revolution, they still greatly expanded their political participation and involvement in governing. They set precedents for generations of feminists to come.

Legacy

The French Revolution has received enormous amounts of historical attention, both from the general public and from scholars and academics. The views of historians, in particular, have been characterized as falling along ideological lines, with liberal, conservative, communist, and anarchist scholars—among others—disagreeing over the significance and the major developments of the Revolution. Alexis de Tocqueville argued that the Revolution was a manifestation of a more prosperous middle class becoming conscious of its social importance. Other thinkers, like the conservative Edmund Burke, maintained that the Revolution was the product of a few conspiratorial individuals who brainwashed the masses into subverting the old order—a claim rooted in the belief that the revolutionaries had no legitimate complaints. Other historians, influenced by Marxist thinking, have emphasized the importance of the peasants and the urban workers in presenting the Revolution as a gigantic class struggle. In general, scholarship on the French Revolution initially studied the political ideas and developments of the era, but it has gradually shifted towards social history that analyzes the impact of the Revolution on individual lives.

Historians widely regard the Revolution as one of the most important events in human history, and the end of the early modern period, which started around 1500, is traditionally attributed to the onset of the French Revolution in 1789. The Revolution is, in fact, often seen as marking the "dawn of the modern era". Within France itself, the Revolution permanently crippled the power of the aristocracy and drained the wealth of the Church, although the two institutions survived despite the damage they sustained. After the collapse of the First Empire in 1815, the French public lost the rights and privileges earned since the Revolution, but they remembered the participatory politics that characterized the period, with one historian commenting: "Thousands of men and even many women gained firsthand experience in the political arena: they talked, read, and listened in new ways; they voted; they joined new organizations; and they marched for their political goals. Revolution became a tradition, and republicanism an enduring option." Some historians argue that the French people underwent a fundamental transformation in self-identity, evidenced by the elimination of privileges and their replacement by rights as well as the growing decline in social deference that highlighted the principle of equality throughout the Revolution. Outside France, the Revolution captured the imagination of the world. It had a profound impact on the Russian Revolution and its ideas were imbibed by Mao Zedong in his efforts at constructing a communist state in China.

See also

Related pages

Biens nationaux

Dual revolution

History of democracy

Jean-Nicolas Pache – Liberté, égalité, fraternité

La Révolution française (film)

List of people granted honorary French citizenship during the French Revolution

List of revolutions and rebellions

Military career of Napoleon Bonaparte

Napoleonic code

Rise of nationalism in Europe

Timeline of the French Revolution

Audio files

Other revolutions or rebellions in French history

Camisard Rebellion, French Huguenots (1710–1715)

Haitian Revolution, Haiti colony (1791–1804)

July Revolution (1830)

Canut revolts of the July Monarchy

French Revolution of 1848

Resistance to the coup of 1851

Paris Commune of 1871

French Army Mutinies (1917)

French Resistance during World War II

May 1968 in France, a noteworthy rebellion, though not quite a revolution

References

Works cited

Levy, Darline Gay and Harriet B. Applewhite. "Women and Militant Citizenship in Revolutionary Paris," in Rebel Daughters, ed. Sara e. Melzer and Leslie W. Rabine (New York: Oxford University Press 1992).

Marquise de Maintenon "Instruction to the Nuns of St. Louis," in Writings by Pre-Revolutionary French Women. ed. Anne R. Larsen and Colette H Winn. (New York: Garland Publishing Inc., 2000), 321.

Scott, Joan Wallach. "A Woman Who Has Only Paradoxes to Offer," in Rebel Daughters, ed. Sara e. Melzer and Leslie W. Rabine (New York: Oxford University Press 1992).

Walker, Leslie H. "Sweet and Consoling Virtue: The Memoirs of Madame Roland" Eighteenth-Century Studies, French Revolutionary Culture (2001): 403–419.

"Women." The Encyclopedia of Diderot and d’Alembert. University of Michigan Library, n.d. Web. 10/29/09. < http://quod.lib.umich.edu/d/did/>.

Further reading

Baker, Keith M. ed. ''The French Revolution and the Creation of Modern Political Culture'' (Oxford, 1987–94) ''vol 1: The Political Culture of the Old Regime,'' ed. K.M. Baker (1987); ''vol. 2: The Political Culture of the French Revolution,'' ed. C. Lucas (1988); ''vol. 3: The Transformation of Political Culture, 1789–1848,'' eds. F. Furet & M. Ozouf (1989); ''vol. 4: The Terror,'' ed. K.M. Baker (1994). excerpt and text search vol 4

Blanning, T.C.W. ''The French Revolutionary Wars 1787–1802'' (1996).

Censer, Jack R. "Amalgamating the Social in the French Revolution." ''Journal of Social History 2003'' 37(1): 145–150. Issn: 0022-4529 Fulltext: in Project Muse and Ebsco

Doyle, William. ''The Oxford History of the French Revolution'' (1989). online complete edition; also excerpt and online search from Amazon.com

Doyle, William. ''The French Revolution: A Very Short Introduction.'' (2001), 120pp; online edition

Doyle, William. ''Origins of the French Revolution'' (3rd ed. 1999) online edition

Dunne, John. "Fifty Years of Rewriting the French Revolution: Signposts Main Landmarks and Current Directions in the Historiographical Debate," ''History Review.'' (1998) pp 8+ online edition

Englund, Steven. ''Napoleon: A Political Life.'' (2004). 575 pages; the best political biography excerpt and text search

Fremont-Barnes, Gregory. ed. ''The Encyclopedia of the French Revolutionary and Napoleonic Wars: A Political, Social, and Military History'' (ABC-CLIO: 3 vol 2006)

Frey, Linda S. and Marsha L. Frey. ''The French Revolution.'' (2004) 190pp online edition

Furet, François. ''The French Revolution, 1770–1814'' (1996) excerpt and text search

Furet, François and Mona Ozouf, eds. ''A Critical Dictionary of the French Revolution'' (1989), 1120pp; long essays by scholars; conservative perspective; stress on history of ideas excerpt and online search from Amazon.com

Hunt, Lynn. ''The Family Romance of the French Revolution.'' (1992)

Hunt, Lynn. "Politics, Culture, and Class in the French Revolution." (1984)

Germani, Ian and Robin Swayles. ''Symbols, myths and images of the French Revolution''. University of Regina Publications. 1998. ISBN 9780889771086

Griffith, Paddy. ''The Art of War of Revolutionary France 1789–1802,'' (1998); 304 pp; excerpt and text search

Jones, Colin. ''The Longman Companion to the French Revolution'' (1989)

Jones, Colin. ''The Great Nation: France from Louis XV to Napoleon'' (2002) excerpt and text search

Kates, Gary. ''The French Revolution'' (2nd ed. 2005), 308pp; essays by scholars; excerpts and online search from Amazon.com

Lefebvre, Georges. ''The French Revolution'' (2 vol 1957) classic Marxist synthesis. complete online edition vol 1; also excerpt and online search from Amazon.com

Neely, Sylvia. '' A Concise History of the French Revolution'' (2008)

Palmer, Robert R. ''The Age of the Democratic Revolution: A Political History of Europe and America, 1760–1800.'' (2 vol 1959), highly influential comparative history; vol 1 online

Paxton, John. ''Companion to the French Revolution'' (1987), hundreds of short entries.

Rothenberg, Gunther E. "The Origins, Causes, and Extension of the Wars of the French Revolution and Napoleon," ''Journal of Interdisciplinary History,'' Vol. 18, No. 4, (Spring, 1988), pp. 771–793 in JSTOR

Rude, George F. and Harvey J. Kaye. ''Revolutionary Europe, 1783–1815'' (2000), scholarly survey excerpt and text search

Schroeder, Paul. ''The Transformation of European Politics, 1763–1848.'' 1996; Thorough coverage of diplomatic history; hostile to Napoleon; online edition

Schwab, Gail M., and John R. Jeanneney, eds. ''The French Revolution of 1789 and Its Impact'' (1995) online edition

Scott, Samuel F. and Barry Rothaus. ''Historical Dictionary of the French Revolution, 1789–1799'' (2 vol 1984), short essays by scholars

Schama, Simon. ''Citizens. A Chronicle of the French Revolution'' (1989), highly readable narrative by scholar excerpt and text search

Sutherland, D.M.G. ''France 1789–1815. Revolution and Counter-Revolution'' (2nd ed. 2003, 430pp excerpts and online search from Amazon.com

External links

"French Revolution" in the ''Catholic Encyclopedia''

Open University course

Entry on Encyclopedia.com from the Columbia Encyclopedia

Primary source documents from The Internet Modern History Sourcebook

Liberty, Equality, Fraternity: Exploring the French Revolution, a collaborative site by the Center for History and New Media (George Mason University) and the American Social History Project (City University of New York)

The Origins of the French Revolution, The French Revolution: The Moderate Stage, 1789–1792, and The French Revolution: The Radical Stage, 1792–1794, three essays from The History Guide: Lectures on Modern European Intellectual History

Vancea, S. The Cahiers de Doleances of 1789, Clio History Journal, 2008.

english.republique.de A large collection of links

Category:Republicanism in France Category:18th-century rebellions Category:18th-century revolutions

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The Three Stooges were an American vaudeville and comedy act of the early to mid–20th century best known for their numerous short subject films. Their hallmark was physical farce and extreme slapstick. In films, the Stooges were commonly known by their first names: "Moe, Larry, and Curly" and "Moe, Larry, and Shemp," among other lineups. They first started as "Ted Healy and his Stooges" which contained Moe, Larry and Shemp. "The Three Stooges" film trio was originally composed of Moe Howard, brother Curly Howard and Larry Fine. Shemp Howard replaced brother Curly, when Curly suffered a debilitating stroke in May 1946.

After Shemp's death from a heart attack in November 1955, he was replaced by comedian Joe Besser, after the use of film actor Joe Palma to film four Shemp-era shorts. Ultimately, Joe DeRita (nicknamed "Curly Joe") replaced Joe Besser by 1958. The act regained momentum throughout the 1960s as popular kiddie fare until Larry Fine's paralyzing stroke in January 1970 effectively marked the end of the act proper. Moe tried unsuccessfully one final time to revive the Stooges with longtime supporting actor Emil Sitka filling in for Larry. Larry ultimately succumbed to a series of additional strokes in January 1975, followed by Moe, who died of lung cancer in May 1975.

History

Ted Healy and his stooges

The Three Stooges started in 1925 as part of a raucous vaudeville act called 'Ted Healy and His Stooges' (a.k.a. 'Ted Healy and His Southern Gentlemen', 'Ted Healy and His Three Lost Souls' and 'Ted Healy and His Racketeers'—the moniker 'Three Stooges' was never used during their tenure with Healy). In the act, lead comedian Healy would attempt to sing or tell jokes while his noisy assistants would keep "interrupting" him. Healy would respond by verbally and physically abusing his stooges. Brothers Moe and Shemp were joined later that year by violinist-comedian Larry Fine, and Fred Sanborn joined the group as well.

In 1930, Ted Healy and His Stooges (including Sanborn) appeared in their first Hollywood feature film, ''Soup to Nuts'', released by Fox Film Corporation. The film was not a critical success, but the Stooges' performances were singled out as memorable, leading Fox to offer the trio a contract minus Healy. This enraged the prickly Healy, who told studio executives that the Stooges were his employees. The offer was withdrawn, and after Howard, Fine and Howard learned of the reason, they left Healy to form their own act, which quickly took off with a tour of the theatre circuit. Healy attempted to stop the new act with legal action, claiming they were using his copyrighted material. There are accounts of Healy threatening to bomb theaters if Howard, Fine and Howard ever performed there, which worried Shemp so much that he almost left the act; reportedly, only a pay raise kept him on board. Healy tried to save his act by hiring replacement stooges, but they were inexperienced and not as well-received as their predecessors. In 1932, with Moe now acting as business manager, Healy reached a new agreement with his former Stooges, and they were booked in a production of Jacob J. Shubert's ''The Passing Show of 1932''. During rehearsals, Healy received a more lucrative offer and found a loophole in his contract allowing him to leave the production. Shemp, fed up with Healy's abrasiveness, decided to quit the act and found work almost immediately, in Vitaphone movie comedies produced in Brooklyn, New York.

With Shemp gone, Healy and the two remaining stooges (Moe and Larry) needed a replacement, so Moe suggested his younger brother Jerry Howard. Healy reportedly took one look at Jerry, who had long chestnut red locks and a handlebar mustache, and remarked that he did not look like he was funny. Jerry left the room and returned a few moments later with his head shaved (though his mustache remained for a time), and then quipped "Boy, do I look girly." Healy heard "Curly," and the name stuck. (There are varying accounts as to how the Curly character actually came about.)

In 1933, Metro-Goldwyn-Mayer (MGM) signed Healy and his Stooges to a movie contract. They appeared in feature films and short subjects, either together, individually, or with various combinations of actors. The trio was featured in a series of musical comedy shorts, beginning with ''Nertsery Rhymes''. The short was one of a few shorts to be made with an early two-strip Technicolor process, including one featuring Curly without Healy or the other Stooges, ''Roast Beef and Movies'' (1934). The shorts themselves were built around recycled film footage of production numbers cut from MGM musicals, such as ''Children of Pleasure'', ''Lord Byron of Broadway'', and the unfinished ''March of Time'' (all 1930), which had been filmed in early Technicolor. Soon, additional shorts followed (sans the experimental Technicolor), including ''Beer and Pretzels'' (1933), ''Plane Nuts'' (1933), and ''The Big Idea'' (1934).

Healy and company also appeared in several MGM feature films as comic relief, such as ''Turn Back the Clock'' (1933), ''Meet the Baron'' (1933), ''Dancing Lady'' (1933), ''Fugitive Lovers'' (1934), and ''Hollywood Party'' (1934). Healy and the Stooges also appeared together in ''Myrt and Marge'' for Universal Pictures.

In 1934, the team's contract with MGM expired, and the Stooges parted professional company with Healy. According to Moe Howard's autobiography, the Stooges split with Ted Healy in 1934 once and for all because of Healy's alcoholism and abrasiveness. Their final film with Healy was MGM’s 1934 film, ''Hollywood Party''. Both Healy and the Stooges went on to separate successes, with Healy dying under mysterious circumstances in 1937.

The Columbia years: Moe, Larry and Curly

In 1934, the trio – now officially christened "The Three Stooges" – signed on to appear in two-reel comedy short subjects for Columbia Pictures. In Moe's autobiography, he said they each got $600 per week on a one-year contract with a renewable option; in the Ted Okuda–Edward Watz book ''The Columbia Comedy Shorts'', the Stooges are said to have received $1,000 between them for their first Columbia effort, ''Woman Haters'', and then signed a term contract for $7,500 per film, to be divided among the trio.

Within their first year at Columbia, the Stooges became wildly popular. Realizing this, Columbia Pictures president Harry Cohn used the Stooges as leverage, as the demand for their films was so great that Columbia eventually refused to supply exhibitors with the trio's shorts unless they also agreed to book some of the studio's mediocre B movies. Cohn also saw to it that the Stooges remain ignorant of their popularity. During their 23 years spent at Columbia, the Stooges were never completely aware of their amazing drawing power at the box office. As their contracts with the studio included an open option that had to be renewed every year, Cohn would tell the boys that the short subjects were in decline, which was not a complete fabrication (Cohn's yearly mantra was "the market for comedy shorts is dying out, fellahs.") Thinking their days were numbered, the Stooges would sweat it out each and every year, with Cohn signing the trio up for another year at the last minute. This cruel deception kept the insecure Stooges unaware of their true value, resulting in them having second thoughts about asking for a better contract without a yearly option. Cohn's scare tactics worked for all 23 years the Stooges were at Columbia; the team never once asked for—nor were they ever given—a salary increase. It was not until after they stopped making the shorts in December 1957 did Moe learn of the game Cohn was playing, what a valuable commodity the Stooges had been for the ailing studio, and how many millions more the act could have earned.

The Stooges were required to churn out up to eight short films per year within a 40-week period; for the remaining 12 or so weeks, they were free to pursue other employment. Usually, the Stooges would either spend this time with their families or tour the country promoting their live act. The Stooges appeared in 190 film shorts and five features while at Columbia. Del Lord directed more than three dozen Stooge films; Jules White directed dozens more, and his brother Jack White directed several under the pseudonym "Preston Black".

According to a published report, Moe, Larry, and director Jules White considered their best film to be ''You Nazty Spy!''. This 18-minute short subject starred Moe as "Moe Hailstone", an Adolf Hitler-like character, and satirized the Nazis in a period when America was still neutral and resolutely isolationist. Curly played a Hermann Goering character, replete with medals, and Larry a Ribbentrop-type ambassador. ''You Nazty Spy!'' was the first Hollywood film to spoof Hitler, as it was released in January, 1940, nine months before Charlie Chaplin's ''The Great Dictator''. Reportedly this film caused the Stooges to be placed on Hitler's so-called "death list" because of its anti-Nazi stance. Chaplin, along with Jack Benny, would also be on this list due to their later anti-Nazi films. The Stooges made occasional guest appearances in feature films, though generally they stuck to short subjects. Columbia offered theater owners an entire program of two-reel comedies (15 to 25 titles annually) featuring such stars as Buster Keaton, Andy Clyde, Charley Chase, and Hugh Herbert, but the Three Stooges shorts were the most popular of all.

Curly was easily the most popular member of the team. His childlike mannerisms and natural comedic charm (he had no previous acting experience) made him a hit with audiences. The fact that Curly had to shave his head for the act led him to feel unappealing to women. To mask his insecurities, Curly ate and drank excessively and caroused whenever the Stooges made personal appearances, which was approximately seven months out of the year. His weight ballooned in the 1940s, and his blood pressure was dangerously high. His wild lifestyle and constant drinking eventually caught up with him in 1945, and his performances suffered. In his last dozen shorts (ranging from 1945's ''If a Body Meets a Body'' through 1947's ''Half-Wits Holiday''), he was seriously ill, struggling to get through even the most basic scenes.

It was during the final day of filming ''Half-Wits Holiday'' on May 6, 1946 that Curly suffered a debilitating stroke on the set, ending his 14-year career. Curly's health necessitated a temporary retirement from the act, and while the Stooges hoped for a full recovery, Curly never starred in a film again, except for one brief cameo appearance in the third film after Shemp returned to the trio, ''Hold That Lion!'' It was the only film that contained all ''four'' of the original Stooges (the three Howard brothers and Larry) on screen simultaneously; Jules White recalled Curly visiting the set one day, and White had him do this bit for fun. (Curly's cameo appearance was recycled in the 1953 remake ''Booty and the Beast''.) In 1949, Curly was supposed to play a cameo role in the Stooge comedy ''Malice in the Palace'', but he was physically unable to perform. His chef role was played by Larry.

Shemp returns

Moe Howard turned to his older brother Shemp Howard to take Curly's place. Shemp, however, was hesitant to rejoin the Stooges, as he had a successful solo career at the time of Curly's untimely illness. However, he realized that Moe and Larry's careers would be finished without the Stooge act. Shemp wanted some kind of assurance that his rejoining was indeed temporary, and that he could leave the Stooges once Curly recovered. Unfortunately, Curly remained gravely ill after 1950, dying of a cerebral hemorrhage caused by additional strokes on January 18, 1952.

Shemp appeared with the Stooges in 76 more shorts and a quickie Western comedy feature titled ''Gold Raiders''. Upon Shemp's return, the quality of the films picked up; the last few Curly efforts had been marred by his sluggish performances. Entries like ''Out West'', ''Squareheads of the Round Table'', and ''Punchy Cowpunchers'' proved that there was life after Curly, and that Shemp could easily hold his own. Though some say he lacked his younger brother's childlike charisma, Shemp was a gifted, professional comedian. More often than not, his astute gift of comedic timing buoys weak material. In fact, one the finest entries in the series, ''Brideless Groom'', was made during this period.

Another interesting plus from the Shemp era was that Larry was given more time on screen. Throughout most of the Curly era, Larry was relegated to a background role, only being called upon to break up a potential scuffle between Moe and Curly. By the time Shemp rejoined the Stooges, Larry was allotted equal footage, even becoming the focus of several films (''Fuelin' Around'', ''He Cooked His Goose'').

During this period, Moe, Larry, and Shemp made a pilot for a ''Three Stooges'' television show called ''Jerks of All Trades'' in 1949. The series was never picked up, although the pilot is currently in the public domain and is available on home video, as is an early television appearance from around the same time on a vaudeville-style comedy series, ''Camel Comedy Caravan'', originally broadcast live on CBS-TV on March 11, 1950 and starring Ed Wynn. Also available commercially is a kinescope of Moe, Larry, and Shemp's appearance on ''The Frank Sinatra Show'', broadcast live over CBS-TV on January 1, 1952. Frank Sinatra was reportedly a big fan of the Stooges and slapstick comedy in general. On this broadcast, the Stooges are joined by one of their longtime stock-company members, Vernon Dent, who plays "Mr. Mortimer", a party-goer who requests a drink. The Stooges oblige with disastrous results.

Columbia's short-subject division downsized in 1952. Producer Hugh McCollum was discharged and director Edward Bernds resigned out of loyalty to McCollum, leaving only Jules White to both produce and direct the Stooges' remaining Columbia comedies. Production was significantly faster, with the former four-day filming schedules now tightened to two or three days. In another cost-cutting measure, White would create a "new" Stooge short by borrowing footage from old ones, setting it in a slightly different storyline, and filming a few new scenes often with the same actors in the same costumes. White was initially very subtle when recycling older footage: he would reuse only a single sequence of old film, re-edited so cleverly that it was not easy to detect. The later shorts were cheaper and the recycling more obvious, with as much as 75% of the running time consisting of old footage. White came to rely so much on older material that he could film the "new" shorts in a single day.

Three years after Curly's death, Shemp Howard died of a sudden heart attack at age 60 on November 22, 1955. Archived footage of Shemp, combined with new footage of Joe Palma, were used to complete the last four films originally planned with Shemp: ''Rumpus in the Harem'', ''Hot Stuff'', ''Scheming Schemers'', and ''Commotion on the Ocean''.

Joe Besser replaces Shemp

Joe Besser replaced Shemp in 1956, appearing in 16 shorts. Besser, noting how one side of Larry Fine's face seemed "calloused", had a clause in his contract specifically prohibiting him from being hit too hard (though this restriction was later lifted). Besser was the only "third" Stooge that dared to hit Moe back in retaliation and get away with it; Larry Fine was also known to hit Moe on occasion, but always with serious repercussions. "I usually played the kind of character who would hit others back," Besser recalled.

With Besser on board, the Stooge films began to resemble sitcoms. Sitcoms, though, were now available for free. Television was the new popular medium, and by the time Besser joined the act, the Stooges were generally considered throwbacks to an obsolete era. In addition, Moe and Larry were growing older, and could not perform pratfalls and physical comedy as they once had. The inevitable occurred soon enough. Columbia was the last studio still producing shorts, and the market for such films had all but dried up. As a result, the studio opted not to renew the Stooges' contract when it expired in late December 1957. The final comedy produced was ''Flying Saucer Daffy'', filmed on December 19–20, 1957. Several days later, the Stooges were unceremoniously fired from Columbia Pictures after 24 years of making low-budget shorts. Joan Howard Maurer, daughter of Moe, wrote the following in 1982:

{{bquote|The boys' careers had suddenly come to an end. They were at Columbia one day and gone the next—no 'Thank yous,' no farewell party for their 24 years of dedication and service and the dollars their comedies had reaped for the studio.

Moe Howard recalled that a few weeks after their exit from Columbia, he drove to the studio to say goodbye to several studio executives when he was stopped by a guard at the gate (obviously, not a Stooges fan) and, since he did not have the current year's studio pass, was refused entry. For the moment, it was a crushing blow.}} Although the Stooges were no longer working for Columbia, the studio had enough completed films on the shelf to keep releasing new comedies for another 18 months, and not in the order they were produced. The final Stooge release, ''Sappy Bull Fighters'', did not reach theaters until June 4, 1959. With no active contract in place, Moe and Larry discussed plans for a personal appearance tour; meanwhile, Besser's wife had a minor heart attack, and he preferred to stay local, leading him to withdraw from the act. For the first time in nearly 30 years, the Stooges hit a dead end.

The comeback: Larry, Moe and Curly Joe

Seeing the success of how television, in its early years, allowed movie studios to unload a backlog of short films thought unmarketable, the Stooge films seemed perfect for the burgeoning genre. ABC television had even expressed interest as far back as 1949, purchasing exclusive rights to 30 of the trio's shorts. However, the success of television revivals for such names as Laurel and Hardy, Woody Woodpecker, Tom and Jerry and the ''Our Gang'' series in the late 1950s led Columbia to cash in again on the Stooges. In January 1958, Columbia's television subsidiary Screen Gems offered a package consisting of 78 Stooge shorts (mainly from the Curly era), which were well received. Almost immediately, an additional 40 shorts hit the market, and by 1959, all 190 Stooge shorts were airing regularly. Due to the massive quantity of Stooge product available for broadcast, the films were broadcast Monday through Friday, leading to heavy exposure aimed squarely at children. This led parents to watch alongside of their offspring, and before long, Howard and Fine found themselves in high demand. Moe quickly signed movie and burlesque comic Joe DeRita for the "third Stooge" role; DeRita adopted first a crew cut and then a completely shaven hairstyle and became "Curly Joe" because of his resemblance to the original Curly Howard (also to make it easier to distinguish him from Joe Besser, the earlier Stooge called Joe).

This Three Stooges lineup went on to make a series of popular full-length films from 1959 to 1965, most notably ''Have Rocket, Will Travel'', ''The Three Stooges Meet Hercules'' and ''The Three Stooges Go Around the World in a Daze''. The films were aimed at the kiddie-matinee market, and most were Farce outings in the Stooge tradition, with the exception of ''Snow White and the Three Stooges'', a children's fantasy in Technicolor. They also appeared as firemen (the role that helped make them famous in ''Soup to Nuts'') in the film ''It's a Mad, Mad, Mad, Mad World''. Throughout the 1960s, The Three Stooges were one of the most popular and highest-paid live acts in America. The trio also filmed 41 short comedy skits for ''The New Three Stooges'', which features a series of 156 animated cartoons produced for television. The Stooges appeared in live-action color footage, which preceded and followed each animated adventure in which they voiced their respective characters.

Final years

In 1969, the Three Stooges filmed a pilot episode for a new TV series entitled ''Kook's Tour'', a combination travelogue-sitcom that had the "retired" Stooges traveling around the world, with the episodes filmed on location.

On January 9, 1970, during production of the pilot, Larry suffered a paralyzing stroke, ending his acting career, as well as plans for the television series. thumb|150px|lefgt|A proposed incarnation of the Three Stooges. A promotional picture taken after Larry Fine's death in 1975 features a very ill Moe Howard (who died shortly thereafter) flanked by Curly Joe DeRita to the left and Emil Sitka to the right.Plans were in the works for longtime foil Emil Sitka to replace Larry as the "Middle Stooge" in 1971, but nothing ever came of that idea other than the proposed publicity still reproduced here. Three years later, just before Christmas of 1974, Larry Fine suffered yet another stroke at the age of 72 and four weeks later, suffered a more massive one. Slipping into a coma, he died a week later of a stroke-induced cerebral hemorrhage on January 24, 1975.

Devastated by his friend's death, Moe nevertheless decided that the Three Stooges should continue. Several movie ideas were considered, one of which according to critic and movie historian Leonard Maltin, (who also uncovered a pre-production photo) was entitled ''Blazing Stewardesses''. Unfortunately, before pre-production could begin, after a lifetime of smoking, Moe fell ill from lung cancer, and died three months later on May 4, 1975, finally putting to rest the last original surviving member of one of the most famous comedy troupes of the 20th Century.

However, ''Blazing Stewardesses'', the last film idea that the Three Stooges had ever seriously considered, was eventually made, starring the last of the surviving Ritz Brothers comedy troupe and released to moderate acclaim later that year.

Curly Joe continued to perform live into the mid-1970s with Mousie Garner and Frank Mitchell as "The New 3 Stooges" enjoying recognition well into old age, before retiring by 1979.

Of the remaining “original-replacement” Stooges, Joe Besser died of heart failure on March 1, 1988, followed by Curly Joe DeRita of pneumonia on July 3, 1993.

Legacy and perspective

Some 50 years after their last short film was released, the Three Stooges remain wildly popular with audiences. Their films have never left the television airwaves since first appearing in 1958, and they continue to delight old fans while attracting a new legion of fervent admirers. A hard-working group of working-class comedians who were never the critic's darlings, the team endured several personnel changes in their careers that would have permanently sidelined a less persistent act. Despite watching two of his brothers die in a brief span of time, the Stooges would not have lasted as long as they did as a unit without Moe Howard's guiding hand. However, despite their massive popularity, they never received a raise during their entire employment at Columbia nor were they ever allowed to make a full-length feature film during the height of their popularity. Columbia Studios chief Harry Cohn preferred to use the popular Stooges shorts in packages with his weaker features so that exhibitors would have to accept the movies in order to show the shorts, which would bring in the public.

The Ted Okuda/Edward Watz-penned book ''The Columbia Comedy Shorts'' puts the Stooges legacy in critical perspective:

Beginning in the 1980s, the Stooges finally began to receive long-overdue critical recognition. More often than not, the praise was directed at Curly, usually at the expense of his castmates, most especially Shemp. With the advent of cable television and the burgeoning home video market, the praise was eventually spread more evenly throughout the team. Critics began to realize that Moe and Larry were gifted performers; though less flamboyant than Curly, they were by no means less talented. Curly was indeed brilliant and a one-of-a-kind, but taken for long periods of time, he could also be irritating and exhausting without Moe and Larry present to provide a counterbalance. This balance would be handled better after Shemp returned to the act, with Larry in particular receiving more screen time. The release of nearly all their films on DVD by 2010 has allowed critics of Joe Besser and Joe DeRita—often the recipients of significant fan backlash—to appreciate the unique style of comedy both comedians brought to the Stooges. In addition, the DVD market in particular has allowed fans to view the entire Stooge film corpus as distinct periods in their long, distinguished career instead of comparing one Stooge to the other (the Curly vs. Shemp debate continues to this day).

The team appeared in 220 films. In the end, it is the durability of the 190 timeless short films the Stooges made at Columbia Pictures that acts as an enduring tribute to the comedy team. Their continued popularity worldwide has proven to even the most skeptical critics that their films—quite simply—are funny. American television personality Steve Allen went on record in the mid-1980s saying "though they never achieved widespread critical acclaim, they achieved exactly what they had always intended to do: they made people laugh."

Line-ups

!	! Ted	! Moe	! Shemp	! Larry	! Curly	! Joe	! Curly Joe	! Emil Sitka
1.									1922–1924
2.									1925–1932
3.									1932–1934
4.									1934–1946
5.									1946–1955
6.									1956–1958
7.									1958–1971
8.									1971–1975

Ted Healy Real Name: Clarence Ernst Lee Nash Born: October 01, 1896 Died: December 21, 1937 Stooge Years: 1922–1931, 1932–1934

Moe Howard Real Name: Moses Harry Horwitz Born: June 19, 1897 Died: May 04, 1975 Stooge years: 1922–1927, 1928–1975

Larry Fine Real Name: Louis Feinberg Born: October 05, 1902 Died: January 24, 1975 Stooge years: 1925–1927, 1928–1971

Curly Howard Real Name: Jerome Lester Horwitz Born: October 22, 1903 Died: January 18, 1952 Stooge years: 1932–1946

Shemp Howard Real Name: Samuel Horwitz Born: March 04, 1895 Died: November 22, 1955 Stooge years: 1922–1927, 1928–1932, 1946–1955

Joe Besser Born: August 12, 1907 Died: March 01, 1988 Stooge years: 1956–1958

Joe DeRita Real Name: Joseph Wardell Born: July 12, 1909 Died: July 03, 1993 Stooge years: 1958–1975

Emil Sitka Born: December 22, 1915 Died: January 16, 1998 Stooge years: n/a

Shorts

The Three Stooges appeared in 220 films throughout their career. Of those 220, 190 short films were made for Columbia Pictures between 1934 and 1959, for which the trio are best known. Their contract was extended each year from 1934 until the final one expired on December 31, 1957. The last 8 of the 16 shorts with Joe Besser were released soon afterward.

C3 Entertainment, Inc.

Throughout their career, Moe acted as both their main creative force and business manager. Comedy III was formed by Moe, Larry and Curly-Joe in 1959 to manage all business and merchandise transactions for the team. Comedy III was basically in the background, with Moe's son-in-law Norman Maurer managing the comedy teams' film interests under Normandy Productions, and merchandising affairs under Norman Maurer Productions (NMP). Norman Maurer died in 1986.

In 1994 the heirs of Larry Fine and Joe DeRita filed a lawsuit against Moe's family, particularly Joan Howard Maurer and her son Jeffrey, who had inherited the NMP/Normandy business. The result reestablished Comedy III as a three-way interest of Fine/[Moe]Howard/DeRita. The DeRita heirs received the proxy to the Howard share, giving them majority control on the company's management. Curly-Joe's stepsons, Robert and Earl Benjamin, became the senior management of Comedy III. The Benjamins later incorporated the company, and C3 Entertainment, Inc. is currently the owner of all Three Stooges trademarks and merchandising. Larry's grandson Eric Lamond is the representative of the Fines' one-third interest in the company.

C3 has also, since 1995, authorized and provided the services of veteran actors Jim Skousen, Alan Semok, and Dave Knight (as Moe, Larry, and Curly respectively) for numerous "personal appearances" by the Stooge characters for a variety of merchandising and promotional events. This latter day trio has also provided voices for the characters in a variety of radio spots, merchandising tie-ins, and most recently for the first new Three Stooges short in fifty years. A CGI animation by Famous Frames Mobile Interactive, a first-wave "new media" company, entitled ''The Grate Debate'', has Moe, Larry and Curly running for President.

Television broadcasts and rights issues

A handful of Three Stooges shorts first aired on television in 1949, on the American Broadcasting Company (ABC) network. It was not until 1958 that Screen Gems packaged 78 shorts for national syndication; the package was gradually enlarged to encompass the entire library of 190 shorts. In 1959, KTTV in Los Angeles purchased the Three Stooges films for air, but by the early 1970s, rival station KTLA began airing the Stooges films, keeping them in the schedule until early 1994. The Family Channel (now ABC Family) ran the shorts as part of their ''Stooge TV'' block from February 19, 1996 to January 2, 1998. In the late 1990s, AMC had held the rights to the Three Stooges shorts, originally airing them under the ''Stooges Playhouse'' block, but replacing it in 1999 with ''N.Y.U.K.'' (New Yuk University of Knuckleheads). Featuring host Leslie Nielsen in the form of a college instructor, the block aired several shorts often grouped by a theme, such as similar schtick used in different films. Although the block was discontinued after AMC revamped their format in 2002, the network still ran Stooges shorts occasionally. The AMC run ended when Spike TV picked them up in 2004, airing them in their ''Stooges Slap-Happy Hour''. By 2007, the network had discontinued the block. Although Spike did air Stooges shorts for a brief period of time after the block was canceled, as of late April 2008, Three Stooges has disappeared from the network's schedule entirely. The Three Stooges returned on December 31, 2009 on AMC, starting with the "Countdown with the Stooges" New Year's Eve marathon. AMC planned to put several episodes on their website in 2010.

Since the 1990s Columbia and its television division's successor, Sony Pictures Television, has preferred to license the Stooges shorts to cable networks, precluding the films from being shown on local broadcast TV. Two stations in Chicago and Boston, however, signed long-term syndication contracts with Columbia years ago and have declined to terminate them. Thus, WMEU-CA in Chicago currently airs all 190 Three Stooges shorts on ''Stooge-a-Palooza'', hosted by Rich Koz, and WSBK-TV in Boston airs Stooge shorts and feature films. KTLA in Los Angeles dropped the shorts in 1994, but brought them back in 2007 as part of a special retro-marathon commemorating the station's 60th anniversary. Since that time, the station's original 16mm Stooges film prints have aired occasionally as part of mini-marathons on holidays. Antenna TV, a network broadcasting on the digital subchannels of local broadcast stations (owned by Tribune Broadcasting, who also owns KTLA), began airing the Stooges shorts upon the network's January 1, 2011 launch, which run in multi-hour blocks on weekends; most of the Three Stooges feature films are also broadcast on the network, through Antenna TV's distribution agreement with Sony Pictures Entertainment (whose Columbia Pictures subsidiary released most of the films).

Some of the Stooge films have been colorized by two separate companies. The first colorized DVD releases, distributed by Sony Pictures Home Entertainment, were prepared by West Wing Studios in 2004. The following year, Legend Films colorized the public domain shorts ''Malice in the Palace'', ''Sing a Song of Six Pants'', ''Disorder in the Court'' and ''Brideless Groom''. ''Disorder in the Court'' and ''Brideless Groom'' also appear on two of West Wing's colorized releases. In any event, the Columbia-produced shorts (aside from the public domain films) are handled by Sony Pictures Entertainment, while the MGM Stooges shorts are owned by Warner Bros. via their Turner Entertainment division. Sony offers 21 of the shorts on their web platform Crackle, along with eleven Minisodes. Meanwhile, the rights to the Stooges' feature films rests with the studios that originally produced them (Columbia/Sony for the Columbia films, and 20th Century Fox for the Fox films).

Home video release and public reception

Between 1984 and 1985, RCA Columbia Pictures Home Video released a total of thirteen Three Stooges volumes on VHS, Beta and Laserdisc, each containing three shorts. These titles were later reissued on VHS by its successor, Sony Pictures Entertainment, between 1995 and 1997, with a DVD reissue between 2000 and 2004.

On October 30, 2007, Sony Pictures Home Entertainment released a two-disc DVD set entitled The Three Stooges Collection, Volume One: 1934–1936. The set contains shorts from the first three years the Stooges worked at Columbia Pictures, marking the first time ever that all 19 shorts were released in their original theatrical order to DVD. Additionally, every short was remastered in high definition, a first for the Stooge films. Previous DVD releases were based on themes (wartime, history, work, etc.), and sold poorly. Fans and critics alike praised Sony for finally giving the Stooges the proper DVD treatment. One critic states "the Three Stooges on DVD has been a real mix'n match hodgepodge of un-restored titles and illogical entries. This new...boxset...seems to be the first concerted effort to categorize their huge body of work chronologically with many shorts seeing the digital light for the first time." Videolibrarian.com critic added "finally, the studio knuckleheads got it right! The way that the Three Stooges have been presented on home video has been a real slap in the face and poke in the eye to fans. They’ve been anthologized, colorized, and public domain-ed, as their shorts have been released and re-released in varying degrees of quality. Highly recommended." Critic James Plath of DVDtown.com added, "Thank you, Sony, for finally giving these Columbia Pictures icons the kind of DVD retrospective that they deserve. Remastered in High Definition and presented in chronological order, these short films now give fans the chance to appreciate the development of one of the most successful comedy teams in history."

The chronological series proved very successful and wildly popular, and Sony wasted little time preparing the next set for release. Volume Two: 1937–1939 was released on May 27, 2008, followed by Volume Three: 1940–1942 three months later on August 26, 2008. Demand exceeded supply, proving to Sony that they had a hit on their hands. In response, Volume Four: 1943–1945 was released on October 7, 2008, a mere two months after its predecessor. The global economic crisis slowed down the release schedule after Volume Four, and Volume Five: 1946–1948 was belatedly released on March 17, 2009. Volume Five is the first in the series to feature Shemp Howard with the Stooges. Volume Six: 1949–1951 was released June 16, 2009. and Volume Seven: 1952–1954 was released on November 10, 2009.

The eighth and final volume was released on June 1, 2010, bringing the series to a close. For the first time in history, all 190 ''Three Stooges'' short subjects became available to the public.

Music

Several instrumental tunes were played over the opening credits at different times in the production of the short features. The most commonly used themes were:

* The verse portion of the Civil War era song "Listen to the Mockingbird", played in a comical way, complete with sounds of birds and such. This was first used in ''Pardon My Scotch'', their ninth short film, in 1935. (Prior to that comedic short, the opening theme varied and was typically connected to the storyline in some fashion.)

* "Three Blind Mice", beginning in 1939 as a slow but straightforward presentation (dubbed the "sliding strings" version), often breaking into a "jazzy" style before ending. In mid-1942, another more driving version, complete with accordion was played fast all the way through.

The Columbia short subject ''Woman Haters'' was done completely in rhyme, mostly recited (not sung), in rhythm with a Jazz-Age underscore running throughout the film, but with some key lines sung. It was sixth in a ''Musical Novelties'' short subject series, and appropriated its musical score from the first five films. The memorable “My Life, My Love, My All,” was originally “At Last!” from the film ''Um-Pa''.

"Swinging the Alphabet" (a.k.a. B-A-bay, B-E-be, B-I-bicky-bi…) from ''Violent Is the Word for Curly'' is perhaps the best-known song performed by the Stooges on film.

The “Lucia Sextet” (''Chi mi frena in tal memento?''), from the opera ''Lucia di Lammermoor'' by Gaetano Donizetti (announced by Larry as “the Sextet from Lucy”), is played on a record player and lip-synched by the Stooges in ''Micro-Phonies''. The same melody re-appears in ''Squareheads of the Round Table'' as the tune of “Oh, Elaine, can you come out tonight?”. ''Micro-Phonies'' also includes the Johann Strauss II waltz “Voices of Spring” ("Frühlingsstimmen") Op. 410. Another Strauss waltz, "The Blue Danube", is featured in ''Ants in the Pantry'' and ''Punch Drunks''.

The song “Fredric March” (named after the actor) was a favorite of director Jules White; it appeared in at least six different Columbia shorts:

* ''Termites of 1938'' - the Stooges "play" this song on a violin, flute, and string bass at a dinner party in an attempt to attract mice.

* ''Dutiful But Dumb'' - Curly is hidden inside a floor-standing radio, and plays the song on a modified harmonica.

* ''Three Little Twirps'' - heard as background music at the circus while Moe and Curly sell tickets.

* ''Idle Roomers'' - Curly plays the song on a trombone to calm a wolf man.

* ''Gents Without Cents'' - three girls perform acrobatics on stage while this song is playing

* ''Gents in a Jam'' - Shemp and Moe have a problem with a radio that will not stop playing this song

* ''Pardon My Backfire'' - the song plays on a car radio

The Moe–Larry–Curly Joe lineup of the Stooges recorded several musical record albums in the early 1960s. Most of their songs were adaptations of nursery rhymes. Among their more popular recordings were "Making a Record" (a surreal trip to a recording studio built around the song "Go Tell Aunt Mary"), "Three Little Fishes", "All I Want for Christmas Is My Two Front Teeth", "Wreck the Halls with Boughs of Holly", "Mairzy Doats" and "I Want a Hippopotamus for Christmas".

In 1983, a group called the Jump 'N the Saddle Band recorded a track called "The Curly Shuffle", which featured the narrator singing about his love of the Stooges mixed with a chorus of many of Curly's catchphrases and sound effects. In the mid-1980s, the song became a popular mid-game hit for New York Mets fans in the Shea Stadium bleachers, who would dance in small groups to the tune whenever the song was played between innings. The music video, which featured clips of the classic Stooges shorts, was also included as a bonus feature on one of the 1984 VHS releases.

Feature motion pictures

The Three Stooges also made appearances in many feature length movies in the course of their careers:

{|class="wikitable" |- ! Film || Year || Moe || Larry || Curly || Shemp || Joe || Curly Joe |- |''Soup to Nuts'' || 1930 || Moe || Larry || || Shemp || || |- |''Turn Back the Clock'' || 1933 || Moe || Larry || Curly || || || |- |''Meet the Baron'' || 1933 || Moe || Larry || Curly || || || |- |''Dancing Lady'' || 1933 || Moe || Larry || Curly || || || |- |''Broadway to Hollywood'' || 1933 || Moe || Larry || Curly || || || |- |''Myrt and Marge'' || 1933 || Moe || Larry || Curly || || || |- |''Fugitive Lovers'' || 1934 || Moe || Larry ||Curly || || || |- |''Hollywood Party'' (cameos) || 1934 || Moe || Larry || Curly || || || |- |''The Captain Hates the Sea'' (cameos)|| 1934 || Moe || Larry || Curly || || || |- |''Start Cheering'' || 1938 || Moe || Larry || Curly || || || |- |''Time Out for Rhythm'' || 1941 || Moe || Larry || Curly || || || |- |''My Sister Eileen'' (cameos) || 1942 || Moe || Larry || Curly || || || |- |''Rockin' in the Rockies'' || 1945 || Moe || Larry || Curly || || || |- |''Swing Parade of 1946'' || 1946 || Moe || Larry || Curly || || || |- |''Gold Raiders'' || 1951 || Moe || Larry || || Shemp || || |- |''Have Rocket, Will Travel'' || 1959 || Moe || Larry || || || || Curly Joe |- |''Stop! Look! and Laugh!'' (compilation)|| 1960 || Moe || Larry || Curly || || || |- |''Snow White and the Three Stooges'' || 1961 || Moe || Larry || || || || Curly Joe |- |''The Three Stooges Meet Hercules'' || 1962 || Moe || Larry || || || || Curly Joe |- |''The Three Stooges in Orbit'' || 1962 || Moe || Larry || || || || Curly Joe |- |''The Three Stooges Go Around the World in a Daze'' || 1963 || Moe || Larry || || || || Curly Joe |- |''It's a Mad, Mad, Mad, Mad World'' (cameos)|| 1963 || Moe || Larry || || || || Curly Joe |- |''4 for Texas'' || 1963 || Moe || Larry || || || || Curly Joe |- |''The Outlaws Is Coming'' || 1965 || Moe || Larry || || || || Curly Joe |- |''Kook's Tour'' (TV pilot) || 1970 || Moe || Larry || || || || Curly Joe |} Joe Besser never appeared with the Stooges in a feature film.

Three feature-length Columbia releases were actually packages of older Columbia shorts. ''Columbia Laff Hour'' (introduced in 1956) was a random assortment that included the Stooges among other Columbia comedians like Andy Clyde, Hugh Herbert, and Vera Vague; the content and length varied from one theater to the next. ''Three Stooges Fun-o-Rama'' (introduced in 1959) was an all-Stooges show capitalizing on their TV fame, again with shorts chosen at random for individual theaters. ''The Three Stooges Follies'' (1974) was similar to ''Laff Hour'', with a trio of Stooge comedies augmented by Buster Keaton and Vera Vague shorts, a Batman serial chapter, and a Kate Smith musical.

Museum

Gary Lassin opened the Stoogeum in 2004 in a renovated architect's office in Spring House, Pennsylvania, 25 miles (40 kilometers) north of Philadelphia. The museum-quality exhibits fill three stories (10,000 square feet or 929 square meters), including an 85-seat theater. Peter Seely, editor of the book ''Stoogeology: Essays on the Three Stooges'' said that the Stoogeum has "''more stuff than I even imagined existed''." 2,500 people visit it yearly, many during the annual Three Stooges Fan Club gathering in April.

In other media

Comic books

Over the years, several Three Stooges comics were produced.

St. John Publications published the first Three Stooges comics in 1949 with 2 issues, then again in 1953–54 with 7 issues.

Dell Comics published a Three Stooges series first as one-shots in their ''Four Color Comics'' line for five issues, then gave them a numbered series for four more issues (#6–9). With #10, the title would be published by Gold Key Comics. Under Gold Key, the series lasted through issue #55 in 1972.

Gold Key Comics then published the ''Little Stooges'' series (7 issues, 1972–74) with story and art by Norman Maurer, Moe's son-in-law. This series featured the adventures of three fictional sons of the Three Stooges, as sort of modern-day teen-age versions of the characters.

Eclipse Comics published the ''Three-D Three Stooges'' series (3 issues, 1986–1987) which reprinted stories from the St. John Publications series.

Malibu Comics did a couple of one-shot comics, reprinting stories from the Gold Key Comics in 1989 and 1991.

Music

Beginning in 1959, the Three Stooges began to appear in a series of novelty records. Their first recording was a 45 rpm single of the title song from ''Have Rocket, Will Travel.'' The trio released additional singles and LPs on the Golden and Coral labels, mixing comedy adventure albums and off-beat renditions of children's songs. Their final recording was the 1966 ''Yogi Bear and the Three Stooges Meet the Mad, Mad, Mad Dr. No-No'', which incorporated the Three Stooges into the cast of the Yogi Bear cartoons.

The Stooges are referenced in the video for Weird Al Yankovic's Like a Surgeon with a hospital PA system asked for "Dr. Howard, Dr. Fine, Dr. Howard."

Radio

Sirius XM Radio aired a special about the Stooges hosted by Tom Bergeron on Friday, July 31, 2009, at 2:00PM on the Sirius Howard 101 channel. Bergeron had conducted the interviews at the age of 17 back when he was still in high school in 1971. The television host had the tapes in storage for many years and was convinced on air during a Howard Stern Radio interview to bring them in and turn it into a special show by Howard Stern himself, upon learning how much of a fan Bergeron was of the Three Stooges, as is he. Bergeron agreed.

After finding "the lost tapes," Bergeron brought them into Howard Stern's production studio. He stated that the tapes were so old that the tapes with the Larry Fine interviews began to shred as Howard Stern's radio engineers ran them through their cart players. They only really had the one shot, and fortunately for Three Stooges fans, the tapes were saved.

"The Lost Stooges Tapes" were hosted by Tom Bergeron with modern commentary on the almost 40 year old interviews that he had conducted with Larry Fine and Moe Howard. At the times of these interviews, Moe was still living at home and Larry had suffered a stroke and was living in a Senior Citizen's home.

Television

In addition to the unsuccessful television series pilot ''Jerks of All Trades'' (see "History", above) and the incomplete ''Kook's Tour'', the Stooges appeared in a show called ''The New Three Stooges'' which ran from 1965 to 1966. This series featured a mix of thirty-nine live-action segments which were used as wraparounds to 156 animated Stooges shorts. That cartoon program became the only regularly scheduled television show in history for the Stooges. Unlike other films shorts that aired on TV like the ''Looney Tunes'', ''Tom and Jerry'', and ''Popeye'', the film shorts of the Stooges never had a regularly scheduled national television program to air in, neither on network nor syndicated. When Columbia/Screen Gems licensed the film library to television, the shorts aired in any fashion the local stations chose (examples: late-night "filler" material between the end of the late movie and the channel's sign-off time; in "marathon" sessions running shorts back-to-back for one, one-and-a-half, or two hours; etc.)

Two episodes of Hanna-Barbera's ''The New Scooby-Doo Movies'' aired on CBS featuring animated Stooges as guest stars: the premiere, "Ghastly Ghost Town" (September 9, 1972) and "The Ghost of the Red Baron" (November 18, 1972). There also was a short-lived animated series, also produced by Hanna-Barbera, titled ''The Robonic Stooges'', originally seen as a featured segment on ''The Skatebirds'' (CBS, 1977–1978), featuring Moe, Larry, and Curly (voiced by Paul Winchell, Joe Baker and Frank Welker, respectively) as bionic cartoon superheroes with extendable limbs, similar to the later ''Inspector Gadget''. ''The Robonic Stooges'' later aired as a separate half-hour series, retitled ''The Three Robonic Stooges'' (each half-hour featured two segments of ''The Three Robonic Stooges'' and one segment of ''Woofer And Whimper, Dog Detectives'', the latter re-edited from episodes of ''Clue Club'', an earlier Hanna-Barbera cartoon series). There are also many ''Stooges'' references in the sitcom ''ALF''.

In the episode "Beware The Creeper" of ''The New Batman Adventures''. the Joker retreats to his hide-out after a quick fight with Batman. He yells out for his three henchmen "Moe? Larr? Cur?" only to find that they are not there. Shortly after that, Batman comes across these three goons in a pool hall; they have distinctive accents and hair styles similar to those of Moe, Larry, and Curly. These henchmen are briefly seen throughout the rest of the season.

2000 television film

In spring of 2000, longtime Stooge fan Mel Gibson executive-produced a TV movie (''The Three Stooges'') about the lives and careers of the comedians. Playing Moe was Paul Ben-Victor; Evan Handler was Larry; John Kassir was Shemp; and Michael Chiklis was Curly. It was filmed in Sydney, Australia and was produced for and broadcast on ABC. It was based on Michael Fleming's authorized biography of the Stooges, ''The Three Stooges: From Amalgamated Morons to American Icons''. Its unflattering portrayal of Ted Healy led Healy's son to give media interviews calling the film inaccurate. Additional errors of fact included the hints that Moe Howard was down on his luck later in life, and worked as a gofer at the studio where he and his brothers had formerly worked as actors, and that he never owned his own house. In reality, Moe was the most careful with his money, which he invested well. He and his wife Helen owned the comfortable house in Toluca Lake in which they raised their children.

The film regularly runs on the American Movie Classics (AMC) channel.

Feature film revival

A film about the Three Stooges, simply titled ''The Three Stooges'', is currently in development with 20th Century Fox and will be directed by the Farrelly Brothers. The film has been in what one critic has dubbed "development hell". The Farrellys, who have wanted to make this film since 1996, have said that they were not going to do a biopic or remake, but instead new Three Stooges episodes set in the present day. The plot of the episodes is said to be an adventure that revolves around the Stooges characters.

The studio has had a difficult time putting together a cast to play the Three Stooges. Originally slated were Sean Penn to play Larry, Benicio del Toro to play Moe and Jim Carrey to play Curly. Both Sean Penn and Benicio del Toro left the project but returned while no official confirmation has been made about Jim Carrey. When del Toro was interviewed on MTV News for ''The Wolfman'', he spoke about playing Moe. He was later asked who was going to play Larry and Curly in the film and commented that he still thought that Sean Penn and Jim Carrey were going to play them, though he added "Nothing is for sure yet." A story in the Hollywood Reporter stated that Will Sasso will play Curly in the upcoming comedy and that Hank Azaria is the front runner to play Moe. Sean Hayes of ''Will & Grace'' fame has officially been cast as Larry Fine, while Chris Diamantopoulos was cast as Moe. On April 27, Jane Lynch joined the cast; she will be playing a nun.

Video games

In 1984 Gottlieb released an arcade game featuring the Stooges trying to find three kidnapped brides. Later in 1987, game developers Cinemaware released a successful Three Stooges computer game, available for Apple IIGS, Amiga, Commodore 64, MS-DOS, and Nintendo Entertainment System (NES). Based on the Stooges earning money by doing odd jobs to prevent the foreclosure of an orphanage, it incorporated audio from the original films and was popular enough to be reissued for the Game Boy Advance in 2002, as well as for PlayStation in 2004.

In foreign languages

In most other languages, the Three Stooges are known by their English name. However, in Chinese, the trio is known as ''Sānge Chòu Píjiàng'' (三個臭皮匠) or ''Huóbǎo Sānrénzǔ'' (活寶三人組). ''Sānge Chòu Píjiàng'', literally "Three Smelly Shoemakers", derives from a saying in the ''Romance of the Three Kingdoms'': ''Sāngè chòu píjiàng shèngguò yīgè Zhūgě Liàng'' (三個臭皮匠，勝過一個諸葛亮) or "Three smelly shoemakers (are enough to) overcome one Zhuge Liang [a hero of the story]", i.e. three inferior people can overpower a superior person when they combine their strength. ''Huóbǎo Sānrénzǔ'' translates as "Trio of Buffoons".

In Japanese they are known as ''San Baka Taishō'' (三馬鹿大将) meaning "Three Idiot Generals" or "Three ''Baka'' Generals". The Japanese term ''baka'' (馬鹿, "fool" or "idiot", lit. "horse deer") is associated with the Chinese idiom ''zhǐlù wéimǎ'' (指鹿為馬; lit. "point at a deer and call it a horse", in Japanese ''shika o sashite uma to nasu'' [鹿を指して馬と為す]) meaning "deliberate misrepresentation for ulterior purposes". In Spanish they are known as ''Los tres chiflados'' or, roughly, "The Three Crackpots". In French and German usage, the name of the trio is partially translated as ''Les Trois Stooges'' and ''Die drei Stooges'' respectively. In Thai, the trio is known as 3 สมุนจอมป่วน (''3 Samunčhǭmpūan''; ) or 3 พี่น้องจอมยุ่ง (''Phīnǭngčhǭmyung''; ). In Portuguese, they are known as ''Os Três Patetas'' in Brazil, and ''Os Três Estarolas'' in Portugal, being "estarola" a direct translation to "stooge", while "pateta" being more related to "goofy".

See also

The Three Stooges in popular culture

References

;Notes

;Bibliography

Besser, Joe (with Lenburg, Jeff, and Lenburg, Greg), ''Not Just a Stooge'' (1984) Excelsior Books, Inc. (reissued 1987 as ''Once a Stooge, Always a Stooge'') Roundtable Publications (Autobiography of Joe Besser, including anecdotes about Abbott and Costello and Olsen and Johnson)

Bruskin, David N., ''Behind the Three Stooges: The White Brothers: Conversations with David N. Bruskin'' (1993) Directors Guild of America (In-depth interviews with producer-directors Jules White, Jack White, and Sam White)

Comedy III Productions, Inc., ''Pop, You’re "Poifect!": A Three Stooges Salute to Dad'' (2002) Andrews McMeel

Cox, Steve and Terry, Jim, ''One Fine Stooge: Larry Fine's Frizzy Life in Pictures'' (2005) Cumberland House Publishing

Davis, Lon and Davis, Debra (eds.), ''Stooges Among Us'' (2008) BearManor Media ISBN 1-59393-300-2

Feinberg, Morris, ''Larry: The Stooge in the Middle'' (1984) Last Gasp of San Francisco (Biography of Larry Fine, attributed to his brother but actually ghostwritten by Bob Davis)

Fericano, Paul, ''Stoogism Anthology'' (1977) Poor Souls Printing

Fine, Larry (with Carone, James), ''Stroke of Luck'' (1973) Siena Publishing Co. (Larry Fine's autobiography, transcribed from interviews toward the end of his life)

Flanagan, Bill, ''Last of the Moe Haircuts'' (1986) McGraw-Hill/Contemporary Books, Inc.

Fleming, Michael, ''The Three Stooges: An Illustrated History, from Amalgamated Morons to American Icons'' (2002) Broadway Publishing

Forrester, Jeffrey, ''The Stoogephile Trivia Book'' (1982) Contemporary Books, Inc.

Forrester, Jeffrey, ''The Stooges Chronicles'' (1981) Contemporary Books, Inc. (Comprehensive overview of the team's career; also discusses the various Ted Healy stooges)

Forrester, Jeffrey, and Forrester, Tom, ''The Stooges' Lost Episodes'' (1988) Contemporary Books, Inc. (Discussion of obscure Stooges appearances, including solo films by individual Stooges)

Forrester, Jeff, with Forrester, Tom, and Wallison, Joe, ''The Three Stooges: The Triumphs and Tragedies of the Most Popular Comedy Team of All Time'' (2004) Donaldson Books (Revised, updated edition of ''The Stooges Chronicles'')

Garner, Paul, ''Mousie Garner: Autobiography of a Vaudeville Stooge'' (1999) McFarland & Co.

Hansen, Tom and Forrester, Jeffrey, ''Stoogemania: An Extravaganza of Stooge Photos, Puzzles, Trivia, Collectibles and More'' (1984) Contemporary Books, Inc. (Overview of Three Stooges memorabilia)

Howard, Moe, ''Moe Howard and the Three Stooges'' (1977) Citadel Press (Moe Howard's autobiography, completed and released posthumously by his daughter)

Koceimba, Bill, with Kaufman, Eric A., and Sack, Steve, ''The Three Stooges Golf Spoof and Trivia Book'' (1999) Gazelle, Inc.

Kurson, Robert, ''The Official Three Stooges Encyclopedia: The Ultimate Knucklehead's Guide to Stoogedom, from Amalgamated Association of Morons to Ziller, Zeller, and Zoller'' (1999) McGraw-Hill

Kurson, Robert, ''The Official Three Stooges Cookbook'' (1998) Contemporary Books, Inc.

Lenburg, Jeff, with Maurer, Joan Howard, and Lenburg, Greg, ''The Three Stooges Scrapbook'' (1982, revised 1994, 2000) Citadel Press

Longley, Maximillian, ''The Conservative In Spite of Himself: A Reluctant Right-Winger's Thoughts on Life, Law and the Three Stooges'' (2007) Monograph Publishers

Maltin, Leonard, ''The Great Movie Comedians'' (1978) Crown Books

Maltin, Leonard, ''Movie Comedy Teams'' (1970, revised 1985) New American Library

Maltin, Leonard, ''Selected Short Subjects'' (first published as ''The Great Movie Shorts'', 1972) Crown Books, (revised 1983) Da Capo Press

McGarry, Annie, ''The Wacky World of the Three Stooges'' (1992) Crescent Books

Maurer, Joan Howard, ''Curly: An Illustrated Biography of the Superstooge'' (1985, revised 1988) Citadel Press

Maurer, Joan Howard (ed.), ''The Three Stooges Book of Scripts'' (1984) Citadel Press

Maurer, Joan Howard and Maurer, Norman (eds.), ''The Three Stooges Book of Scripts, Volume II'' (1987) Citadel Press

Okuda, Ted and Watz, Edward, ''The Columbia Comedy Shorts'' (1998) McFarland & Co. (Comprehensive history of the Columbia short subject department; Stooge colleagues Edward Bernds and Emil Sitka are quoted extensively)

Seely, Peter and Pieper, Gail W., ''Stoogeology: Essays on the Three Stooges'' (2007) McFarland & Co.

Smith, Ronald L., ''The Stooge Fans' I.Q. Test'' (1988) Contemporary Books, Inc.

Solomon, Jon, ''The Complete Three Stooges: The Official Filmography and Three Stooges Companion'’ (2000) Comedy III Productions

External links

Three Stooges Online Filmography at threestooges.net

The Three Stooges Official Website (sanctioned by C3 Entertainment, Inc. - threestooges.com)

The Stoogeum (Three Stooges Museum) – stoogeum.com

Portrait (2009) of The Three Stooges (with Shemp) by noted illustrator Drew Friedman

Interview with Moe Howard on new success with the younger generation from the Ocala Star-Banner – Feb 22, 1959 accessed via Google News

Category:Television series by Sony Pictures Television Category:1925 introductions Category:Jewish comedy and humor Category:The Three Stooges films Category:Pie throwing Category:Slapstick comedians Category:Gold Key Comics titles Category:Dell Comics titles Category:Jewish comedians

de:The Three Stooges es:Los tres chiflados fr:Les Trois Stooges gl:The Three Stooges id:The Three Stooges it:Three Stooges kn:ದ ಥ್ರೀ ಸ್ಟೂಜಸ್ lb:Three Stooges nl:Three Stooges ja:三ばか大将 pt:Three Stooges sq:The Three Stooges simple:The Three Stooges sh:Three Stooges fi:The Three Stooges sv:The Three Stooges tl:Three Stooges th:3 สมุนจอมป่วน zh:三個臭皮匠

Coordinates	29°25′″N98°30′″N
name	Ted Gunderson
birth name	Theodore L. Gunderson
birth date	November 07, 1928
birth place	Colorado Springs, Colorado
death date	July 31st, 2011
death cause	Cancer
nationality	USA
employer	Federal Bureau of Investigation(ret), private clients
occupation	Retired FBI Senior Special Agent In Charge, private investigator, speaker, author, researcher.
title	Senior Special Agent in Charge, Los Angeles, Special Agent in Charge, Dallas, TX, Memphis, TN, Washington,D.C. offices, F.B.I.
footnotes	}}

Theodore L. Gunderson (November 7 1928 - July 31 2011) was a retired United States Federal Bureau of Investigation Special Agent In Charge and head of the Los Angeles FBI. He was most famous for handling the Marilyn Monroe and John F. Kennedy cases. He was the author of the best selling book ''How to Locate Anyone Anywhere''.

Early life and The FBI

Ted Gunderson was born in Colorado Springs. He graduated from the University of Nebraska in 1950. Gunderson joined the Federal Bureau of Investigation in December 1951 under J. Edgar Hoover. He served in the Mobile, Knoxville, New York City, and Albuquerque offices. He held posts as an Assistant Special Agent-in-Charge in New Haven and Philadelphia. In 1973 he became the head of the Memphis FBI and then the head of the Dallas FBI in 1975. Ted Gunderson was appointed the head of the Los Angeles FBI in 1977. In 1979 he was one of a handful interviewed for the job of FBI director, which ultimately went to William H. Webster.

Post-FBI

After retiring from the FBI, Gunderson set up a private investigation firm, Ted L. Gunderson and Associates, in Santa Monica. In 1980, he became a defense investigator for Green Beret Doctor Jeffrey R. MacDonald, who had been convicted of the 1970 murders of his pregnant wife and two daughters. Gunderson obtained affidavits from Helena Stoeckley confessing to her involvement in the murders.

He was a member of the Constitution Party. Ted died on July 31st 2011 from complications from cancer.

References

Category:1928 births Category:Living people Category:Conspiracy theorists Category:FBI agents Category:Private detectives and investigators Category:Members of the Constitution Party (United States) Category:University of Nebraska alumni

fr:Ted Gunderson

Links

http://www.randomcollection.info/gunderson.pdf